Wolf and Fox Hunt — Peter Paul Rubens, ca. 1616

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Iconclass: 46C13143C1147
Holder's headings: Men, Women, Hunting, Foxes, Horses, Wolves
Wikidata depicts: woman, fox, man, grey wolf, hunting, equestrianism

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Rights

Credit: John Stewart Kennedy Fund, 1910
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 437536 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/437536

Also by Peter Paul Rubens

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens — Portrait of a Man, Possibly an Architect or GeographerPeter Paul Rubens1597Metropolitan Museum of Art, New York, NY

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Saint Francis, Peter Paul Rubens — Saint FrancisPeter Paul Rubensc. 1615The Art Institute of Chicago

The Sacrifice of Isaac, Peter Paul Rubens — The Sacrifice of IsaacPeter Paul Rubens1612The Nelson-Atkins Museum of Art

Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens — Portrait of Nicolas Trigault in Chinese CostumePeter Paul Rubens1617Metropolitan Museum of Art, New York, NY

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Within fifty years of ca. 1616

857

Allegory of Life, Giorgio Ghisi (Italian, 1520–1582) — Allegory of LifeGiorgio Ghisi (Italian, 1520–1582)1561Cleveland Museum of Art

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Philonis Judaei ... operum, quotquot ad hunc diem haberi potuerunt, tomus prior[-alter] / Tomus prior., Unknown — Philonis Judaei ... operum, quotquot ad hunc diem haberi potuerunt, tomus prior[-alter] / Tomus prior.Unknown1561Stiftung der Werke von C.G.Jung, Zürich

Philonis Judaei ... operum, quotquot ad hunc diem haberi potuerunt, tomus prior[-alter] / Tomus alter., Unknown — Philonis Judaei ... operum, quotquot ad hunc diem haberi potuerunt, tomus prior[-alter] / Tomus alter.Unknown1561Stiftung der Werke von C.G.Jung, Zürich

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Frieze, Combat of Animals, preparatory drawing for fresco at the Palazzo Borri, Parma, Jacopo Zanguidi, called Bertoia, Italian, 1544 – 1573 — Frieze, Combat of Animals, preparatory drawing for fresco at the Palazzo Borri, ParmaJacopo Zanguidi, called Bertoia, Italian, 1544 – 15731563–68Cooper Hewitt, Smithsonian Design Museum

Traumbuch Cardani : warhafftige, gewüsse und unbetrügliche Underweisung, wie allerhandt Träum, Erscheinungen unnd nächtliche Gesicht, welche uns von der Seelen wann sich der Leib zu ruwen begeben eingebildet und fürbracht werden, wie solche natürlich unnd recht erklärt unnd aussgelegt werden sollend ... ; auch von den kleinsten und nächsten Dingen und vom aller besten und säligsten Läben ..., Cardano, Girolamo — Traumbuch Cardani : warhafftige, gewüsse und unbetrügliche Underweisung, wie allerhandt Träum, Erscheinungen unnd nächtliche Gesicht, welche uns von der Seelen wann sich der Leib zu ruwen begeben eingebildet und fürbracht werden, wie solche natürlich unnd recht erklärt unnd aussgelegt werden sollend ... ; auch von den kleinsten und nächsten Dingen und vom aller besten und säligsten Läben ...Cardano, Girolamo1563Stiftung der Werke von C.G.Jung, Zürich, online

Also at Metropolitan Museum of Art, New York, NY

676

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Similar picturesFound by visual likeness

5 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Lion Hunt, Eugène Delacroix — Lion HuntEugène Delacroix1860–61The Art Institute of Chicago

0.87

The Abduction of Rebecca, Eugène Delacroix — The Abduction of RebeccaEugène Delacroix1846Metropolitan Museum of Art, New York, NY

0.84

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens (Flemish, 1577–1640) — Study for "The Bear Hunt" (for the Alcázar, Madrid)Peter Paul Rubens (Flemish, 1577–1640)c. 1639Cleveland Museum of Art

0.84

The sacrifice of Abraham, Master of the Augsburg Ecce Homo — The sacrifice of AbrahamMaster of the Augsburg Ecce Homo1540Germanisches Nationalmuseum

0.83

The Triumph of Henry IV, Peter Paul Rubens — The Triumph of Henry IVPeter Paul Rubensca. 1630Metropolitan Museum of Art, New York, NY

0.83

In the stacks

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Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

principles of art history · heinrich wolfflin
The baroque antithesis to Raphael and Diirer is here represented by Rubens’ Christ Bearing the Cross* (engraving by Pontius with a variant anterior to the picture in Brussels). The recessional movement most brilliantly developed, and made still more interesting by an upward movement. The stylistically new factor we are looking for certainly does not lie in the merely material motive of the direction of movement, but, as it is a question of a principle of present- ment, in the way in which the theme is handled, how every recessional element
0.71
principles of art history · heinrich wolfflin
PAINTING 75 tion. It is not a question of the degree of recession in the space represented, but in what way recession is made effective. Even where the seventeenth century apparently indulges in pure compositions in breadth, a closer com- parison must prove the fundamentally different point of departure. The spiral into-the-picture movement which Rubens loves will certainly be sought for in vain in Dutch pictures, yet this system of Rubens’ is only one type of re- cessional composition. There need even be no plastic oppositions of foreground and background:
0.70
principles of art history · heinrich wolfflin
The course of the development of art, however, cannot simply be reduced to a series of separate points. Individuals fall into larger groups. Botticelli and Lorenzo di Credi, for all their differences, have still, as Florentines, a certain resemblance when compared with any Venetian, and Hobbema and Ruysdael, however divergent they may be, are immediately homogeneous as soon as to them, as Dutchmen, a Fleming like Rubens is opposed. That is to say: to the personal style must be added the style of the school, the country, the race. Let
0.69

Peter Paul Rubens made Wolf and Fox Hunt, and made these too.

Made in the seventeenth century, like Wolf and Fox Hunt.

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