The Holy Family with Saints Elizabeth and John the Baptist, Peter Paul Rubens

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Iconclass
7311Hsaints47I21331D112child42A41173B821173B83211
Holder's headings
religion, children, Saint Elizabeth, Saint John the Baptist, saints, babies, Christian subjects, Christianity, dresses, holy family, mothers, red (color), Virgin and child/Madonna and child, Virgin Mary
Wikidata depicts
Jesus Christ, Mary, John the Baptist, Joseph, Saint Anne

Means

No reading yet.

Rights

Credit
Major Acquisitions Fund. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 27310 (read 2026-09-01)
Record
https://www.artic.edu/artworks/27310
IIIF
manifest
The Holy Family with Saints Elizabeth and John the Baptist, Peter Paul Rubens
The Holy Family with Saints Elizabeth and John the Baptist — Peter Paul Rubensc. 1615

Also by Peter Paul Rubens

14
Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens
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The Capture of Samson, Peter Paul Rubens
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The Feast of Acheloüs, Peter Paul Rubens
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Saint Francis, Peter Paul Rubens
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Wolf and Fox Hunt, Peter Paul Rubens
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The Sacrifice of Isaac, Peter Paul Rubens
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Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens
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St. Albert of Louvain, Peter Paul Rubens
St. Albert of LouvainPeter Paul Rubens1620The Art Institute of Chicago

Within fifty years of c. 1615

864
Pair of Gauntlets for a Child, Lucio Piccinino
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Pair of Gauntlets, Unknown
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Mirror clock, Master CR
Mirror clockMaster CRca. 1565–70Metropolitan Museum of Art, New York, NY
Garniture for Field and Foot Tourney at the Barriers, Northern Italian, Milan
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Design for a Sepulchral Monument for a Medici Cardinal, Francesco da Sangallo, Italian, 1494 - 1576
Design for a Sepulchral Monument for a Medici CardinalFrancesco da Sangallo, Italian, 1494 - 1576ca. 1560–70Cooper Hewitt, Smithsonian Design Museum
Compendium alchimiae Ioannis Garlandii Angli philosophi doctissimi ... : adiecimus eiusdem compendii per Arnoldum de Villanova explicationem, Hortulanus
Compendium alchimiae Ioannis Garlandii Angli philosophi doctissimi ... : adiecimus eiusdem compendii per Arnoldum de Villanova explicationemHortulanus1560Stiftung der Werke von C.G.Jung, Zürich
Commentarius de praecipuis generibus divinationum, in quo a prophetiis autoritate divina traditis & a physicis coniecturis, discernuntur artes et imposturae diabolicae, atque observationes natae ex superstitione et cum hac coniunctae ..., Peucer, Kaspar
Commentarius de praecipuis generibus divinationum, in quo a prophetiis autoritate divina traditis & a physicis coniecturis, discernuntur artes et imposturae diabolicae, atque observationes natae ex superstitione et cum hac coniunctae ...Peucer, Kaspar1560Stiftung der Werke von C.G.Jung, Zürich
De chemia senioris antiquissimi philosophi, libellus, ut brevis, ita artem discentibus, et exercentibus, utilissimus, et vere aureus, nunc primum in lucem aeditus, Ibn-Umail, Muḥammad
De chemia senioris antiquissimi philosophi, libellus, ut brevis, ita artem discentibus, et exercentibus, utilissimus, et vere aureus, nunc primum in lucem aeditusIbn-Umail, Muḥammad1560Stiftung der Werke von C.G.Jung, Zürich

Also at The Art Institute of Chicago

761
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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Charity, Guido Reni
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0.85
The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo)
The Holy Family with the Young Saint John the BaptistAndrea del Sarto (Andrea d'Agnolo)ca. 1528Metropolitan Museum of Art, New York, NY
0.85
The Holy Family on the Steps, Nicolas Poussin (French, 1594–1665)
The Holy Family on the StepsNicolas Poussin (French, 1594–1665)1648Cleveland Museum of Art
0.85
The Holy Family with Saint John the Baptist, Nicolas Poussin
The Holy Family with Saint John the BaptistNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY
0.84
The Risen Christ Appearing to the Virgin, Francesco Solimena (Italian, 1657–1747)
The Risen Christ Appearing to the VirginFrancesco Solimena (Italian, 1657–1747)c. 1708Cleveland Museum of Art
0.84
The Holy Family on the Steps, Follower of Nicolas Poussin
The Holy Family on the StepsFollower of Nicolas Poussin1648National Gallery of Art
0.84
The Denial of Saint Peter, Ludovico Carracci
The Denial of Saint PeterLudovico Carraccica. 1616Metropolitan Museum of Art, New York, NY
0.84
Virgin and Child with the Young Saint John the Baptist, Antonio da Correggio
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0.84

In the stacks

Not yet checked3

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. principles of art history · heinrich wolfflin

    The baroque antithesis to Raphael and Diirer is here represented by Rubens’ Christ Bearing the Cross* (engraving by Pontius with a variant anterior to the picture in Brussels). The recessional movement most brilliantly developed, and made still more interesting by an upward movement. The stylistically new factor we are looking for certainly does not lie in the merely material motive of the direction of movement, but, as it is a question of a principle of present- ment, in the way in which the theme is handled, how every recessional element
    0.71

  2. principles of art history · heinrich wolfflin

    PAINTING 75 tion. It is not a question of the degree of recession in the space represented, but in what way recession is made effective. Even where the seventeenth century apparently indulges in pure compositions in breadth, a closer com- parison must prove the fundamentally different point of departure. The spiral into-the-picture movement which Rubens loves will certainly be sought for in vain in Dutch pictures, yet this system of Rubens’ is only one type of re- cessional composition. There need even be no plastic oppositions of foreground and background:
    0.70

  3. principles of art history · heinrich wolfflin

    The course of the development of art, however, cannot simply be reduced to a series of separate points. Individuals fall into larger groups. Botticelli and Lorenzo di Credi, for all their differences, have still, as Florentines, a certain resemblance when compared with any Venetian, and Hobbema and Ruysdael, however divergent they may be, are immediately homogeneous as soon as to them, as Dutchmen, a Fleming like Rubens is opposed. That is to say: to the personal style must be added the style of the school, the country, the race. Let
    0.69

Next

Peter Paul Rubens made The Holy Family with Saints Elizabeth and John the Baptist, and made these too.

Made in the seventeenth century, like The Holy Family with Saints Elizabeth and John the Baptist.

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