Textile, Unknown

Seen

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Rights

Credit
Purchased in memory of Mrs. John Innes Kane
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1944-22-4-a (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/79284
Textile, Unknown
Textile — Unknownca. 1791

Also by Unknown

5442
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1791

2220
Frontispiece for Book 4, in Eight books of Ornament, William Delacour, French, 1741 – 1767
Frontispiece for Book 4, in Eight books of OrnamentWilliam Delacour, French, 1741 – 17671741–47Cooper Hewitt, Smithsonian Design Museum
Eirenaei Philalethae Erklärung der hermetisch poetischen Werke Herrn Georgii Riplaei : enthaltend die kläreste und fürtreflichste Entdeckung der verborgensten Geheimnisse der alten Philosophen, so bishero niemals öffentlich kund gemachet, Starkey, George
Eirenaei Philalethae Erklärung der hermetisch poetischen Werke Herrn Georgii Riplaei : enthaltend die kläreste und fürtreflichste Entdeckung der verborgensten Geheimnisse der alten Philosophen, so bishero niemals öffentlich kund gemachetStarkey, George1741Stiftung der Werke von C.G.Jung, Zürich
Design for a Carved Mirror Frame, Gilles-Marie Oppenord, French, 1672–1742
Design for a Carved Mirror FrameGilles-Marie Oppenord, French, 1672–1742before 1742Cooper Hewitt, Smithsonian Design Museum
Architectural Fantasy: Palace Interior, Charles Michel-Ange Challe, French, 1718 – 1778
Architectural Fantasy: Palace InteriorCharles Michel-Ange Challe, French, 1718 – 17781742–46Cooper Hewitt, Smithsonian Design Museum
The Fear of Love, Jean-Louis Lemoyne
The Fear of LoveJean-Louis Lemoyne1742The Art Institute of Chicago
Armida Encounters the Sleeping Rinaldo, Giovanni Battista Tiepolo
Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo
Rinaldo and the Magus of AscalonGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo
Armida Abandoned by RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

3325
Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522
Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522
Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522
Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533
Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum
Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570
Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum
Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528
Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum
Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536
Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum
Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550
Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Textile, Unknown
TextileUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
0.89
Textile, Gorgerat Frères et Cie., Nantes, France, 1783–1815
TextileGorgerat Frères et Cie., Nantes, France, 1783–18151780–85Cooper Hewitt, Smithsonian Design Museum
0.89
Textile, Unknown
TextileUnknownmid–late 18th centuryCooper Hewitt, Smithsonian Design Museum
0.89
Textile, Unknown
TextileUnknown1790sCooper Hewitt, Smithsonian Design Museum
0.89
Textile, Unknown
TextileUnknownlate 19th–early 20th centuryCooper Hewitt, Smithsonian Design Museum
0.89
Fragment, Unknown
FragmentUnknown1788–1795Cooper Hewitt, Smithsonian Design Museum
0.88
Louis XVI restaurateur de la liberté, Jean-Baptiste Huet, French, 1745 – 1811
Louis XVI restaurateur de la libertéJean-Baptiste Huet, French, 1745 – 18111790–1791Cooper Hewitt, Smithsonian Design Museum
0.88
Textile, Claude-Louis Desrais, French, 1746–1816
TextileClaude-Louis Desrais, French, 1746–181618th centuryCooper Hewitt, Smithsonian Design Museum
0.88

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