Design for a Pendant — Eugène-Samuel Grasset

Design for a Pendant, Eugène-Samuel Grasset

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Pendants

Means

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Rights

Credit: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 344024 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/344024

Also by Eugène-Samuel Grasset

2

Jewelry Design, Eugène-Samuel Grasset — Jewelry DesignEugène-Samuel Grassetn.d.Metropolitan Museum of Art, New York, NY

Vitrioleuse, from "L'Estampe Originale", Eugène-Samuel Grasset — Vitrioleuse, from "L'Estampe Originale"Eugène-Samuel Grasset1894Metropolitan Museum of Art, New York, NY

Within fifty years

3878

Self-Portrait, Goya (Francisco de Goya y Lucientes) — Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY

A Sleeping Leopard, George Stubbs (British, 1724–1806); George Stubbs (British, 1724–1806) — A Sleeping LeopardGeorge Stubbs (British, 1724–1806); George Stubbs (British, 1724–1806)1791Cleveland Museum of Art

Textile, Unknown — TextileUnknownca. 1791Cooper Hewitt, Smithsonian Design Museum

COLLECTION DE DESSINS Des Poëles de formes antique et modern, de l’invention et de la Manufacture du Sieur OLLIVIER, rue de la Roquette, fauxbourg Saint-Antoine., Louis-Gustave Taraval, French, 1738 – 1794 — COLLECTION DE DESSINS Des Poëles de formes antique et modern, de l’invention et de la Manufacture du Sieur OLLIVIER, rue de la Roquette, fauxbourg Saint-Antoine.Louis-Gustave Taraval, French, 1738 – 1794ca. 1791Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1791Cooper Hewitt, Smithsonian Design Museum

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) — Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY

Mark Pringle, Sir William Beechey — Mark PringleSir William Beecheyc. 1797The Art Institute of Chicago

Two Elevations of a Palace, Giuseppe Barberi, Italian, 1746–1809 — Two Elevations of a PalaceGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

480

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Design for a Wallpaper or Textile, Unknown — Design for a Wallpaper or TextileUnknown1815–1840Cooper Hewitt, Smithsonian Design Museum

0.87

Design for an Earring, Unknown — Design for an EarringUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Design for a Plate, Noritake, Japan and New York, New York, USA — Design for a PlateNoritake, Japan and New York, New York, USA1880–1910Cooper Hewitt, Smithsonian Design Museum

0.87

Figure, Robert Frederick Blum, American, 1857–1903 — FigureRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

0.87

The grammar of ornament, Owen Jones — The grammar of ornamentOwen Jones1856Metropolitan Museum of Art, New York, NY

0.87

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818 — Floral design for printed textilesLouis-Albert DuBois, Swiss, 1752–18181800–1818Cooper Hewitt, Smithsonian Design Museum

0.87

Drawing, Unknown — DrawingUnknown1780-1790Cooper Hewitt, Smithsonian Design Museum

0.87

Decorative Monogram Design, Pierre Ranson, French, 1736–1786 — Decorative Monogram DesignPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the nineteenth century, like Design for a Pendant.

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