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Holder's headings Women Close Vitrioleuse, from "L'Estampe Originale" — Eugène-Samuel Grasset 1894
Also by Eugène-Samuel Grasset 2
Within fifty years of 1894 3791 Landscape William Morris Huntn.d. The Art Institute of Chicago Project for a Candelabrum Unknownca. 1844 Cooper Hewitt, Smithsonian Design Museum Brook and Trees Samuel Finley Breese Morse, American 1791-1872January 24, 1844 Cooper Hewitt, Smithsonian Design Museum Boat of Lake Leman (Lake Geneva) Daniel Huntington, American, 1816–1906August 1844 Cooper Hewitt, Smithsonian Design Museum Edmond Cavé (1794–1852) Jean Auguste Dominique Ingres1844 Metropolitan Museum of Art, New York, NY Model Reading in the Studio Gustave Courbetc. 1849 The Art Institute of Chicago Gentlemen.... here goes a 43rd toast.... to the Temperance Society Honoré Daumier (French, 1808–1879)1844 Cleveland Museum of Art Les Bas-Bleus Unknown1844. Library of Congress
Also at Metropolitan Museum of Art, New York, NY 538 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Made in the nineteenth century, like Vitrioleuse, from "L'Estampe Originale".