Jewelry Design, Eugène-Samuel Grasset

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Faces, Heads, Flowers

Means

No reading yet.

Rights

Credit
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 343047 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/343047
Jewelry Design, Eugène-Samuel Grasset
Jewelry Design — Eugène-Samuel Grassetn.d.

Also by Eugène-Samuel Grasset

2
Design for a Pendant, Eugène-Samuel Grasset
Design for a PendantEugène-Samuel GrassetMetropolitan Museum of Art, New York, NY
Vitrioleuse, from "L'Estampe Originale", Eugène-Samuel Grasset
Vitrioleuse, from "L'Estampe Originale"Eugène-Samuel Grasset1894Metropolitan Museum of Art, New York, NY

Within fifty years of n.d.

4297
Study for Inquisition, Illustration to Columbiad, Henry Fuseli
Study for Inquisition, Illustration to ColumbiadHenry Fuselic. 1806The Art Institute of Chicago
Panel (Furnishing Fabric), Bannister Hall Print Works
Panel (Furnishing Fabric)Bannister Hall Print Worksc. 1815The Art Institute of Chicago
Panel, Bannister Hall Print Works
PanelBannister Hall Print Worksc. 1815The Art Institute of Chicago
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes)
José Costa y Bonells (died l870), Called PepitoGoya (Francisco de Goya y Lucientes)ca. 1810Metropolitan Museum of Art, New York, NY
Portrait of General José Manuel Romero, Francisco José de Goya y Lucientes
Portrait of General José Manuel RomeroFrancisco José de Goya y Lucientesc. 1810The Art Institute of Chicago
Weaver's draft book, Unknown
Weaver's draft bookUnknown1805Cooper Hewitt, Smithsonian Design Museum
Design for brooch, Unknown
Design for broochUnknown1805–15Cooper Hewitt, Smithsonian Design Museum
Panel (Furnishing Fabric), Bannister Hall Print Works
Panel (Furnishing Fabric)Bannister Hall Print Worksc. 1815The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

485
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Ornament Design with a Heraldic Achievement, Jean Bérain, the elder, French, 1640 – 1711
Ornament Design with a Heraldic AchievementJean Bérain, the elder, French, 1640 – 1711ca.1670–ca.1700Cooper Hewitt, Smithsonian Design Museum
0.86
Ornament Designs, Jean Berain, the elder, French, 1640-1711
Ornament DesignsJean Berain, the elder, French, 1640-1711ca.1670–ca.1700Cooper Hewitt, Smithsonian Design Museum
0.86
Ornament Designs, I. F. Saur, German, active 18th century
Ornament DesignsI. F. Saur, German, active 18th centurymid- 18th centuryCooper Hewitt, Smithsonian Design Museum
0.86
Arabesque Ornament Designs, Claude Gillot, French, 1673–1722
Arabesque Ornament DesignsClaude Gillot, French, 1673–17221749–61Cooper Hewitt, Smithsonian Design Museum
0.86
Ornament Designs, Jean Bérain, the elder, French, 1640 – 1711
Ornament DesignsJean Bérain, the elder, French, 1640 – 1711ca.1670–ca.1700Cooper Hewitt, Smithsonian Design Museum
0.86
Project for a Decorative Pediment, Unknown
Project for a Decorative PedimentUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
0.86
Three Trophies, Unknown
Three TrophiesUnknown1650–1700Cooper Hewitt, Smithsonian Design Museum
0.86
Design for a Pendant, Eugène-Samuel Grasset
Design for a PendantEugène-Samuel GrassetMetropolitan Museum of Art, New York, NY
0.85

Next

Made in the nineteenth century, like Jewelry Design.

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