medium


hand-colored

29 works · 1455 to 1890 · aat:300133555

20 of 442 ids checked against the materials Wikidata records named a different concept (4.5%), read 2026-09-08

hand-colored
Metropolitan Museum of Art, New York, NY, Cooper Hewitt, Smithsonian Design Museum, Cleveland Museum of Art and Library of Congress20 as in Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold, Engraving, hand-colored with brush and watercolor on off-white paper, Engraving, hand-colored with brush and watercolor on cream paper, Woodblock print (hand-colored); ink and color on paper and 4 more
hand-coloring
Metropolitan Museum of Art, New York, NY3 as in Aquatint printed in color with hand-coloring; first state (Koke), Aquatint printed in color with hand-coloring; first state of two (Koke), Aquatint printed in color with hand-coloring; first state of three (Koke)
hand colored
Cleveland Museum of Art3 as in etching on cloth, hand colored with watercolor, woodcut, hand colored with watercolor, lithograph, hand colored
hand coloring
Metropolitan Museum of Art, New York, NY3 as in Woodcut with pochoir (stencil) and hand coloring
Getty
hand coloringArt & Architecture Thesaurus 300133555
Pietà, Unknown
PietàUnknownc. 1460Cleveland Museum of Art
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century
Samson and the Lion, from "The Story of Samson"Anonymous, French, 16th centuryca. 1560–80Metropolitan Museum of Art, New York, NY
Angel announcing the Birth of Samson, from "The Story of Samson", Anonymous, French, 16th century
Angel announcing the Birth of Samson, from "The Story of Samson"Anonymous, French, 16th centuryca. 1560–80Metropolitan Museum of Art, New York, NY
Battle against the Philistines, from "The Story of Samson", Anonymous, French, 16th century
Battle against the Philistines, from "The Story of Samson"Anonymous, French, 16th centuryca. 1560–80Metropolitan Museum of Art, New York, NY
Enclosed Valley, Hercules Seghers (Dutch, 1589/90–c. 1638)
Enclosed ValleyHercules Seghers (Dutch, 1589/90–c. 1638)c. 1623–30Cleveland Museum of Art
Print, Torii Kiyonobu I
PrintTorii Kiyonobu I1703Metropolitan Museum of Art, New York, NY
Bill Poster, Carle Vernet (French, 1758–1836)
Bill PosterCarle Vernet (French, 1758–1836)c. 1780–1836Cleveland Museum of Art
Songs of Experience: The School Boy, William Blake
Songs of Experience: The School BoyWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: The Little Girl Found (second plate), William Blake
Songs of Experience: The Little Girl Found (second plate)William Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: The Little Girl Lost, William Blake
Songs of Experience: The Little Girl LostWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: The Little Girl Lost (second plate); The Little Girl Found, William Blake
Songs of Experience: The Little Girl Lost (second plate); The Little Girl FoundWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: A Little Girl Lost, William Blake
Songs of Experience: A Little Girl LostWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: To Tirzah, William Blake
Songs of Experience: To TirzahWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lilly, William Blake
Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The LillyWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: A Little Boy Lost, William Blake
Songs of Experience: A Little Boy LostWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: Earth's Answer, William Blake
Songs of Experience: Earth's AnswerWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: The Human Abstract, William Blake
Songs of Experience: The Human AbstractWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Plate 49, Costume Parisien (Parisian Costume), Magazine of Female Fashion of London and Paris, R. Phillips, British, active early 19th century
Plate 49, Costume Parisien (Parisian Costume), Magazine of Female Fashion of London and ParisR. Phillips, British, active early 19th centuryFebruary 1802Cooper Hewitt, Smithsonian Design Museum
Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836
Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum
Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836
Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio), John Hill
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio)John Hill1822Metropolitan Museum of Art, New York, NY
View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio), John Rubens Smith
View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio)John Rubens Smith1825Metropolitan Museum of Art, New York, NY
Hudson (No. 13 of The Hudson River Portfolio), John Hill
Hudson (No. 13 of The Hudson River Portfolio)John Hill1825Metropolitan Museum of Art, New York, NY
Plate 398, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal), Samuel and Joseph Fuller, London, England
Plate 398, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal)Samuel and Joseph Fuller, London, EnglandJuly 5, 1826Cooper Hewitt, Smithsonian Design Museum
Plate 59, Modes de Paris (Paris Fashion), Le Mercure de Salons (Mercury of the Salons), Samuel and Joseph Fuller, London, England
Plate 59, Modes de Paris (Paris Fashion), Le Mercure de Salons (Mercury of the Salons)Samuel and Joseph Fuller, London, EnglandJuly 1830Cooper Hewitt, Smithsonian Design Museum
Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas le sou / hD., Daumier, Honoré, 1808-1879, artist
Emotions Parisiennes. L'or est une chimère - pour ceux qui n'ont pas le sou / hD.Daumier, Honoré, 1808-1879, artist[Paris] : Au Bureau du Charivari, R. du Groissant 16, [ca. 1840] (Imp. d'Aubert & Cie.)Library of Congress
Plate 1954, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal), Samuel and Joseph Fuller, London, England
Plate 1954, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal)Samuel and Joseph Fuller, London, EnglandAugust 31, 1843Cooper Hewitt, Smithsonian Design Museum
The Nymphs, Émile Bernard (French, 1868–1941)
The NymphsÉmile Bernard (French, 1868–1941)1890Cleveland Museum of Art
Handscreen, Unknown
HandscreenUnknown18th centuryCooper Hewitt, Smithsonian Design Museum
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