medium

gum tempera

12 works · 1520 to 1755 · aat:300015065

20 of 442 ids checked against the materials Wikidata records named a different concept (4.5%), read 2026-09-08

gum tempera: Cleveland Museum of Art12 as in Gum tempera, ink, and gold on paper, gum tempera, ink, and gold on paper, Gum tempera and gold on paper, gum tempera and gold on paper and 2 more
Getty: gum temperaArt & Architecture Thesaurus 300015065

Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous), Mushfiq (Indian, active early 1600s); others (Indian) — Page from the Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis (narrative poems): Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous)Mushfiq (Indian, active early 1600s); others (Indian)Text c. 1500–1520; painting, borders, and illuminations added 1603–7 Text copied by Sultan-Ali Mashhadi (Persian, active early 1500s) for Badi al-Zaman Mirza, ruler of Herat Painted insets and borders by Mushfiq (Indian, active 1580s–early 1600s) Text copied in Herat Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art

Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian
masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso), Mushfiq (Indian, active early 1600s); others (Indian) — Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous) (verso)Mushfiq (Indian, active early 1600s); others (Indian)1520–1607Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot), Unknown — The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)Unknownc. 1560Cleveland Museum of Art

Lovers parting, page from a book of fables, Unknown — Lovers parting, page from a book of fablesUnknownc. 1590–95Cleveland Museum of Art

Calligraphy: Preface to the Anvar-i Suhaili, Unknown — Calligraphy: Preface to the Anvar-i SuhailiUnknownc. 1590Cleveland Museum of Art

The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, Unknown — The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnknown1602–4Cleveland Museum of Art

Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom), Mushfiq (Indian, active early 1600s); Sultan 'Ali al-Mashadi (Iranian, 1430–1520) — Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)Mushfiq (Indian, active early 1600s); Sultan 'Ali al-Mashadi (Iranian, 1430–1520)Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan KhananCleveland Museum of Art

Portrait of Raja Jagat Singh of Nurpur (reigned 1618–46), Bichitr (Indian, active c. 1615–50) — Portrait of Raja Jagat Singh of Nurpur (reigned 1618–46)Bichitr (Indian, active c. 1615–50)probably 1619Cleveland Museum of Art

Portrait of Murad Bakhsh (1624–61), Balchand (Indian, active 1595–c. 1650) — Portrait of Murad Bakhsh (1624–61)Balchand (Indian, active 1595–c. 1650)c. 1635; borders c. 1700sCleveland Museum of Art

Stone sculptures in a Shiva temple, Unknown — Stone sculptures in a Shiva templeUnknownc. 1710Cleveland Museum of Art

Still Life: Bouquet of Flowers Emerging from the Grass, Unknown — Still Life: Bouquet of Flowers Emerging from the GrassUnknownc. 1750Cleveland Museum of Art

Princess and attendant in trompe l’oeil window, Aqil Khan (Indian, active mid-1700s) — Princess and attendant in trompe l’oeil windowAqil Khan (Indian, active mid-1700s)c. 1765Cleveland Museum of Art

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