Christ and the Two Thieves Crucified, Michelangelo Buonarroti

Seen

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Men, Christ, Crucifixion

Means

No reading yet.


Rights

Credit
Rogers Fund, 1937
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 197995 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/197995
Christ and the Two Thieves Crucified, Michelangelo Buonarroti
Christ and the Two Thieves Crucified — Michelangelo Buonarrotica. 1560–70

Also by Michelangelo Buonarroti

8
Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies, Michelangelo Buonarroti
Archers Shooting at a Herm, Triumph of Bacchus, and Other StudiesMichelangelo Buonarrotin.d.The Art Institute of Chicago
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)Michelangelo Buonarrotica. 1510–11Metropolitan Museum of Art, New York, NY
Drunkenness of Noah, Michelangelo Buonarroti
Drunkenness of NoahMichelangelo Buonarrotin.d.The Art Institute of Chicago
Ascending Male Nude, Michelangelo Buonarroti
Ascending Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago
Seated Male Nude, Michelangelo Buonarroti
Seated Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago
Left Hand of Moses, Michelangelo Buonarroti
Left Hand of MosesMichelangelo Buonarroti1725/30The Art Institute of Chicago
Moses, Michelangelo Buonarroti
MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago
Legs and Feet of Male Nude, Michelangelo Buonarroti
Legs and Feet of Male NudeMichelangelo Buonarroti1812/50The Art Institute of Chicago

Within fifty years of ca. 1560–70

469
Christ Carrying the Cross, Hans Maler
Christ Carrying the CrossHans Malerc. 1510The Art Institute of Chicago
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausica. 1530Metropolitan Museum of Art, New York, NY
Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves), Unknown
Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves)Unknownc. 1510Cleveland Museum of Art
Return of the Prodigal Son, Lucas van Leyden (Netherlandish, 1494–about 1533)
Return of the Prodigal SonLucas van Leyden (Netherlandish, 1494–about 1533)c. 1510Cleveland Museum of Art
"Akbar With Lion and Calf", Folio from the Shah Jahan Album, Govardhan
"Akbar With Lion and Calf", Folio from the Shah Jahan AlbumGovardhanverso: ca. 1630; recto: ca. 1530–50Metropolitan Museum of Art, New York, NY
[Incunabula illustrations, 1505], Unknown
[Incunabula illustrations, 1505]Unknown1505.Library of Congress
[Incunabula illustrations, 1505], Unknown
[Incunabula illustrations, 1505]Unknown1505.Library of Congress
[Incunabula illustrations, 1505], Unknown
[Incunabula illustrations, 1505]Unknown1505.Library of Congress

Also at Metropolitan Museum of Art, New York, NY

688
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

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Made in the sixteenth century, like Christ and the Two Thieves Crucified.

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