medium

aquatint

37 works · 1774 to 1908 · aat:300053242

20 of 442 ids checked against the materials Wikidata records named a different concept (4.5%), read 2026-09-08

aquatint: Cooper Hewitt, Smithsonian Design Museum, Cleveland Museum of Art, The Art Institute of Chicago and National Gallery of Art37 as in Etching and aquatint on laid paper, etching and aquatint, Aquatint and etching on laid paper, Aquatint, brush and watercolors on paper and 18 more
Getty: aquatintArt & Architecture Thesaurus 300053242

Tomb with Sphinxes and an Owl, Louis Jean Desprez (French, 1743–1804) — Tomb with Sphinxes and an OwlLouis Jean Desprez (French, 1743–1804)c. 1779–84Cleveland Museum of Art

Dying Epaminondas, Johann Gottlieb Prestel after Polidoro da Caravaggio — Dying EpaminondasJohann Gottlieb Prestel after Polidoro da Caravaggio1782National Gallery of Art

ornament, John Edwards — ornamentJohn Edwards1783Cooper Hewitt, Smithsonian Design Museum

Title Page, L. Janneret, French, active late 18th century — Title PageL. Janneret, French, active late 18th century1788Cooper Hewitt, Smithsonian Design Museum

Title Page, Etienne de Lavallée, French, 1735 – 1802 — Title PageEtienne de Lavallée, French, 1735 – 18021788Cooper Hewitt, Smithsonian Design Museum

Title Page, Berthelot, French, active late 18th century — Title PageBerthelot, French, active late 18th century1788Cooper Hewitt, Smithsonian Design Museum

Title Page, Etienne de Lavallée, French, 1735 – 1802 — Title PageEtienne de Lavallée, French, 1735 – 18021788Cooper Hewitt, Smithsonian Design Museum

Title Page, Etienne de Lavallée, French, 1735 – 1802 — Title PageEtienne de Lavallée, French, 1735 – 18021788Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796 — Title PagePierre Thomas Le Clerc, French, ca. 1740 - ca. 17961788Cooper Hewitt, Smithsonian Design Museum

Arabesque Ornament Design, Etienne de Lavallée-Poussin, French, 1735–1802 — Arabesque Ornament DesignEtienne de Lavallée-Poussin, French, 1735–18021788Cooper Hewitt, Smithsonian Design Museum

Vase, Busts, and Arabesques Ornament Designs, Etienne de Lavallée, French, 1735 – 1802 — Vase, Busts, and Arabesques Ornament DesignsEtienne de Lavallée, French, 1735 – 18021788Cooper Hewitt, Smithsonian Design Museum

Arabesque Ornament Design, Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796 — Arabesque Ornament DesignPierre Thomas Le Clerc, French, ca. 1740 - ca. 17961788Cooper Hewitt, Smithsonian Design Museum

Arabesque Ornament Design, Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796 — Arabesque Ornament DesignPierre Thomas Le Clerc, French, ca. 1740 - ca. 17961788–89Cooper Hewitt, Smithsonian Design Museum

Arabesque Ornament Design, Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796 — Arabesque Ornament DesignPierre Thomas Le Clerc, French, ca. 1740 - ca. 17961788Cooper Hewitt, Smithsonian Design Museum

Arabesque Ornament Design, Etienne de Lavallée, French, 1735 – 1802 — Arabesque Ornament DesignEtienne de Lavallée, French, 1735 – 18021788–89Cooper Hewitt, Smithsonian Design Museum

Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos, Francisco José de Goya y Lucientes — Francisco de Goya y Lucientes, Painter, plate one from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos, Francisco José de Goya y Lucientes — The Sleep of Reason Produces Monsters, plate 43 from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago

Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, Francisco José de Goya y Lucientes — Francisco Goya y Lucientes, Painter, plate one from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago

Etching with aquatint: Architecture, Felice Giani, Italian, 1758–1823 — Etching with aquatint: ArchitectureFelice Giani, Italian, 1758–18231797Cooper Hewitt, Smithsonian Design Museum

When Day Breaks We Will Be Off, Plate 71, Francisco de Goya (Spanish, 1746–1828) — When Day Breaks We Will Be Off, Plate 71Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

They Spin Finely, Plate 44, Francisco de Goya (Spanish, 1746–1828) — They Spin Finely, Plate 44Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

They Have Flown, Plate 61, Francisco de Goya (Spanish, 1746–1828) — They Have Flown, Plate 61Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

A Bad Night, Plate 36, Francisco de Goya (Spanish, 1746–1828) — A Bad Night, Plate 36Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

The Painter Jacques-Luc Barbier-Walbonne, François Aubertin (French, 1773–1882); Jean-Baptiste Isabey (French, 1767–1855) — The Painter Jacques-Luc Barbier-WalbonneFrançois Aubertin (French, 1773–1882); Jean-Baptiste Isabey (French, 1767–1855)1804Cleveland Museum of Art

Board Room of the Admiralty, from "Ackermann's Repository", Thomas Rowlandson, British, 1756–1827 — Board Room of the Admiralty, from "Ackermann's Repository"Thomas Rowlandson, British, 1756–18271808Cooper Hewitt, Smithsonian Design Museum

Exhibition of Watercolored Drawings, from "Ackermann's Repository", Thomas Rowlandson, British, 1756–1827 — Exhibition of Watercolored Drawings, from "Ackermann's Repository"Thomas Rowlandson, British, 1756–18271808Cooper Hewitt, Smithsonian Design Museum

Dunstanburgh Castle, from "Liber Studiorum," part III, James Mallord William Turner, British, 1775–1851 — Dunstanburgh Castle, from "Liber Studiorum," part IIIJames Mallord William Turner, British, 1775–18511808Cooper Hewitt, Smithsonian Design Museum

The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Two Heads are Better than One or Poor FollyFrancisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)Cleveland Museum of Art

Tradecard, Crace and Son, Unknown — Tradecard, Crace and SonUnknownca. 1837Cooper Hewitt, Smithsonian Design Museum

The Dead Christ with Angels, Édouard Manet (French, 1832–1883) — The Dead Christ with AngelsÉdouard Manet (French, 1832–1883)1866–67Cleveland Museum of Art

The Laundresses, Edgar Degas (French, 1834–1917) — The LaundressesEdgar Degas (French, 1834–1917)1879–80Cleveland Museum of Art

Mary Cassatt at the Louvre: The Paintings Gallery, Edgar Degas (French, 1834–1917) — Mary Cassatt at the Louvre: The Paintings GalleryEdgar Degas (French, 1834–1917)1879–80Cleveland Museum of Art

Mary Cassatt at the Louvre: The Paintings Gallery, Edgar Degas (French, 1834–1917) — Mary Cassatt at the Louvre: The Paintings GalleryEdgar Degas (French, 1834–1917)1879–80Cleveland Museum of Art

In the Omnibus, Mary Cassatt (American, 1844–1926) — In the OmnibusMary Cassatt (American, 1844–1926)1890–91Cleveland Museum of Art

Maternal Caress, Mary Cassatt — Maternal CaressMary Cassatt1890-1891National Gallery of Art

The Bath, Mary Cassatt — The BathMary Cassatt1890-1891National Gallery of Art

Portait of a Woman, Unknown — Portait of a WomanUnknownbefore 1908Cooper Hewitt, Smithsonian Design Museum

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