Plate II of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. I — Robert Bénard, French, 1734–1772, 1762

Plate II of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. I, Robert Bénard, French, 1734–1772

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Credit: Transfer from the Cooper Union Museum Library
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1964-26-11 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/136295

Also by Robert Bénard, French, 1734–1772

4

"Culture et Arsonnage du Coton" from Diderot's Encyclopedia, Vol. I, Robert Bénard, French, 1734–1772 — "Culture et Arsonnage du Coton" from Diderot's Encyclopedia, Vol. IRobert Bénard, French, 1734–17721762Cooper Hewitt, Smithsonian Design Museum

Plate IV of "Travail et emploi du Coton" from Diderot's Encyclopia, Vol. I, Robert Bénard, French, 1734–1772 — Plate IV of "Travail et emploi du Coton" from Diderot's Encyclopia, Vol. IRobert Bénard, French, 1734–17721762Cooper Hewitt, Smithsonian Design Museum

Equipment Used for Making Silk Textiles, Robert Bénard, French, 1734–1772 — Equipment Used for Making Silk TextilesRobert Bénard, French, 1734–1772ca. 1775Cooper Hewitt, Smithsonian Design Museum

Equipment Used for Making Silk Textiles, Robert Bénard, French, 1734–1772 — Equipment Used for Making Silk TextilesRobert Bénard, French, 1734–1772ca. 1775Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1762

2805

Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy, Giacomo del Po, Italian, 1652 - 1726 — Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, ItalyGiacomo del Po, Italian, 1652 - 1726ca. 1712Cooper Hewitt, Smithsonian Design Museum

vase stand, Cornelius Funcke — vase standCornelius Funckeca. 1712Cooper Hewitt, Smithsonian Design Museum

The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ...., Antoine Joseph Dézallier d'Argenville — The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ....Antoine Joseph Dézallier d'Argenville1712Metropolitan Museum of Art, New York, NY

Sancta veritas hermetica, seu concordantia philosophorum, consistens in sale et sole vel mercurio et sulphure, das ist die ehemals excerpirte und darauf mit eigener Hand experimentirte Sonnen-klare Wahrheit der Philosophen Schrifften, Naxagoras, Ehrd de — Sancta veritas hermetica, seu concordantia philosophorum, consistens in sale et sole vel mercurio et sulphure, das ist die ehemals excerpirte und darauf mit eigener Hand experimentirte Sonnen-klare Wahrheit der Philosophen SchrifftenNaxagoras, Ehrd de1712Stiftung der Werke von C.G.Jung, Zürich, online

Face du Train de derrière du Premier Carrosse doré, Bernard Picart, 1673–1733 — Face du Train de derrière du Premier Carrosse doréBernard Picart, 1673–17331713Cooper Hewitt, Smithsonian Design Museum

Design for the Lower Portion of a Wall Panel, Gilles-Marie Oppenord, French, 1672–1742 — Design for the Lower Portion of a Wall PanelGilles-Marie Oppenord, French, 1672–17421714Cooper Hewitt, Smithsonian Design Museum

Ausserlesenster Curiositäten merck-würdiger Traum-Tempel nebst seinen denk-würdigen Neben-Zimmern von allerhand sonderbaren Träumen ..., Männling, Johann Christoph — Ausserlesenster Curiositäten merck-würdiger Traum-Tempel nebst seinen denk-würdigen Neben-Zimmern von allerhand sonderbaren Träumen ...Männling, Johann Christoph1714Stiftung der Werke von C.G.Jung, Zürich, online

Speculum imaginum veritatis occultae, exhibens symbola, emblemata, hieroglyphica, aenigmata, omni tam materiae, quam forma varietate ..., Masen, Jacob — Speculum imaginum veritatis occultae, exhibens symbola, emblemata, hieroglyphica, aenigmata, omni tam materiae, quam forma varietate ...Masen, Jacob1714Stiftung der Werke von C.G.Jung, Zürich, online

Also at Cooper Hewitt, Smithsonian Design Museum

7632

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Designs for Letters, Jean Baptiste Piauger, French, active 1760s — Designs for LettersJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

0.87

Designs for the Letter C, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter CJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

0.86

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.85

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.85

Designs for the Letters X, Y, Z, Jean Baptiste Piauger, French, active 1760s — Designs for the Letters X, Y, ZJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

0.84

L’AGRICULTURE, Clément Pierre Marillier, French, 1740 – 1808 — L’AGRICULTUREClément Pierre Marillier, French, 1740 – 18081759–80Cooper Hewitt, Smithsonian Design Museum

0.84

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.84

Print, Pierre Ranson, French, 1736–1786 — PrintPierre Ranson, French, 1736–1786Cooper Hewitt, Smithsonian Design Museum

0.84

Next

Made in the eighteenth century, like Plate II of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. I.

The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750
Study of the Lamentation on the Dead Christ1780

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