Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) — Michelangelo Buonarroti, ca. 1510–11

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Women
Wikidata depicts: human, woman, foot, shoulder, hand, back, toe

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Rights

Credit: Purchase, Joseph Pulitzer Bequest, 1924
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 337497 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/337497

Also by Michelangelo Buonarroti

8

Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies, Michelangelo Buonarroti — Archers Shooting at a Herm, Triumph of Bacchus, and Other StudiesMichelangelo Buonarrotin.d.The Art Institute of Chicago

Drunkenness of Noah, Michelangelo Buonarroti — Drunkenness of NoahMichelangelo Buonarrotin.d.The Art Institute of Chicago

Ascending Male Nude, Michelangelo Buonarroti — Ascending Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

Christ and the Two Thieves Crucified, Michelangelo Buonarroti — Christ and the Two Thieves CrucifiedMichelangelo Buonarrotica. 1560–70Metropolitan Museum of Art, New York, NY

Seated Male Nude, Michelangelo Buonarroti — Seated Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

Left Hand of Moses, Michelangelo Buonarroti — Left Hand of MosesMichelangelo Buonarroti1725/30The Art Institute of Chicago

Moses, Michelangelo Buonarroti — MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago

Legs and Feet of Male Nude, Michelangelo Buonarroti — Legs and Feet of Male NudeMichelangelo Buonarroti1812/50The Art Institute of Chicago

Within fifty years of ca. 1510–11

387

The Prophet Amos, Baccio Baldini — The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago

Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80) — Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling — Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)Hans Memlingca. 1470Metropolitan Museum of Art, New York, NY

A Bridal Couple, Unknown — A Bridal CoupleUnknownc. 1470Cleveland Museum of Art

The Flight into Egypt, Martin Schongauer (German, c. 1450–1491) — The Flight into EgyptMartin Schongauer (German, c. 1450–1491)1470–74Cleveland Museum of Art

The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini) — The Birth of the VirginFra Carnevale (Bartolomeo di Giovanni Corradini)1467Metropolitan Museum of Art, New York, NY

The Lamentation of Christ, Simon Marmion — The Lamentation of ChristSimon Marmionca. 1473Metropolitan Museum of Art, New York, NY

Altar Frontal with the Lamentation, Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483) — Altar Frontal with the LamentationCosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)c. 1474Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

688

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Seated Male Nude, Michelangelo Buonarroti — Seated Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

0.91

Study for the Nude Youth over the Prophet Daniel (recto), Michelangelo Buonarroti (Italian, 1475–1564) — Study for the Nude Youth over the Prophet Daniel (recto)Michelangelo Buonarroti (Italian, 1475–1564)1510–1511Cleveland Museum of Art

0.91

A Faun Grasping a Bunch of Grapes, Peter Paul Rubens (Flemish, 1577–1640) — A Faun Grasping a Bunch of GrapesPeter Paul Rubens (Flemish, 1577–1640)after 1616–18Cleveland Museum of Art

0.90

Dead Christ, Angelo Solimena, Italian, ca. 1630-1716 — Dead ChristAngelo Solimena, Italian, ca. 1630-171617th–early 18th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Legs and Feet of Male Nude, Michelangelo Buonarroti — Legs and Feet of Male NudeMichelangelo Buonarroti1812/50The Art Institute of Chicago

0.90

Seated Male Nude, Baccio Bandinelli (Italian, 1493–1560) — Seated Male NudeBaccio Bandinelli (Italian, 1493–1560)c. 1516–20Cleveland Museum of Art

0.90

Crucified Man, Melchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564) — Crucified ManMelchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564)1550Cleveland Museum of Art

0.88

Naked warrior, seen from behind, Unknown — Naked warrior, seen from behindUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum

0.88

Next

Made in the sixteenth century, like Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso).

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