Figure Studies Over an Etching of an Ornamental Vase, Paul Cezanne

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Credit
Gift of Justin K. Thannhauser. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 158240 (read 2026-09-01)
Record
https://www.artic.edu/artworks/158240
IIIF
manifest
Figure Studies Over an Etching of an Ornamental Vase, Paul Cezanne
Figure Studies Over an Etching of an Ornamental Vase — Paul Cezanne1870/72

Also by Paul Cezanne

8
The Plate of Apples, Paul Cezanne
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The Bay of Marseille, Seen from L'Estaque, Paul Cezanne
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The Vase of Tulips, Paul Cezanne
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The Basket of Apples, Paul Cezanne
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Madame Cezanne in a Yellow Chair, Paul Cezanne
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Within fifty years of 1870/72

4281
A German Princess and a Young Noblewoman of the Year 1500, Josef Trentsensky
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The Prelate and Stool-Bearers and Women near Them in "Expulsion of Heliodorus" after Raphael Sanzio, Felice Giani, Italian, 1758–1823
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Cartoons of Death of Ananias and St. Paul, after Raphael, Felice Giani, Italian, 1758–1823
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Also at The Art Institute of Chicago

475
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Ring with a Scarab Bezel, Ancient Egyptian
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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
    0.71

  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
    0.68

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Made in the nineteenth century, like Figure Studies Over an Etching of an Ornamental Vase.

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