Madame Cezanne in a Yellow Chair, Paul Cezanne

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
portraits, chair, interior, portraits: European subject, portraits: female subject, portraits: French subject, emotions, women, families
Wikidata depicts
woman, waist-length hair, chair, part, dress, Marie-Hortense Fiquet, sitting, brown hair, backrest

Means

No reading yet.

Rights

Credit
Wilson L. Mead Fund. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 62371 (read 2026-08-27)
Record
https://www.artic.edu/artworks/62371
IIIF
manifest
Madame Cezanne in a Yellow Chair, Paul Cezanne
Madame Cezanne in a Yellow Chair — Paul Cezanne1888–90

Also by Paul Cezanne

8
Figure Studies Over an Etching of an Ornamental Vase, Paul Cezanne
Figure Studies Over an Etching of an Ornamental VasePaul Cezanne1870/72The Art Institute of Chicago
The Plate of Apples, Paul Cezanne
The Plate of ApplesPaul Cezannec. 1877The Art Institute of Chicago
Auvers, Panoramic View, Paul Cezanne
Auvers, Panoramic ViewPaul Cezanne1873–75The Art Institute of Chicago
The Bay of Marseille, Seen from L'Estaque, Paul Cezanne
The Bay of Marseille, Seen from L'EstaquePaul Cezannec. 1885The Art Institute of Chicago
The Vase of Tulips, Paul Cezanne
The Vase of TulipsPaul Cezannec. 1890The Art Institute of Chicago
The Basket of Apples, Paul Cezanne
The Basket of ApplesPaul Cezannec. 1893The Art Institute of Chicago
The Bathers, Paul Cezanne
The BathersPaul Cezanne1899-1904The Art Institute of Chicago
The Three Skulls, Paul Cezanne
The Three SkullsPaul Cezanne1902/06The Art Institute of Chicago

Within fifty years of 1888–90

3796
Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, Utagawa Hiroshige (Japanese, 1797–1858)
Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige (Japanese, 1797–1858)c. 1848–50Cleveland Museum of Art
Bandbox, Hannah Davis, 1784 – 1863
BandboxHannah Davis, 1784 – 18631843Cooper Hewitt, Smithsonian Design Museum
Beggar Girl in Rome, Daniel Huntington, American, 1816–1906
Beggar Girl in RomeDaniel Huntington, American, 1816–19061843Cooper Hewitt, Smithsonian Design Museum
Small Church in Sion, Switzerland, Daniel Huntington, American, 1816–1906
Small Church in Sion, SwitzerlandDaniel Huntington, American, 1816–1906August 1843Cooper Hewitt, Smithsonian Design Museum
Sidewall, Unknown
SidewallUnknownca. 1843Cooper Hewitt, Smithsonian Design Museum
Plate, William Ridgway & Co., Staffordshire, England, 1830 - 1848
PlateWilliam Ridgway & Co., Staffordshire, England, 1830 - 1848ca. 1843Cooper Hewitt, Smithsonian Design Museum
Plate 1954, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal), Samuel and Joseph Fuller, London, England
Plate 1954, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal)Samuel and Joseph Fuller, London, EnglandAugust 31, 1843Cooper Hewitt, Smithsonian Design Museum
Le Factionnaire, Daumier, Honoré, 1808-1879, artist
Le FactionnaireDaumier, Honoré, 1808-1879, artist1843.Library of Congress

Also at The Art Institute of Chicago

517
Statuette of a Female Figure, Ancient Greek
Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago
Ring with a Scarab Bezel, Ancient Egyptian
Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago
Fragment of a Stela of Neferhotep, Ancient Egyptian
Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago
Funerary Papyrus of Tayuhenutmut, Ancient Egyptian
Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago
Cauldron, China
CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago
Coffin and Mummy of Paankhaenamun, Ancient Egyptian
Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago
Relief Showing the Head of a Winged Genius, Neo-Assyrian
Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago
Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

1 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, Paul Cézanne
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne1888–90Metropolitan Museum of Art, New York, NY
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In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
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  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
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Next

Made in the nineteenth century, like Madame Cezanne in a Yellow Chair.

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