Still Life with Apples and a Pot of Primroses, Paul Cézanne

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Apples, Still Life
Wikidata depicts
apple, flower, still life, fruit

Means

No reading yet.


Rights

Credit
Bequest of Sam A. Lewisohn, 1951
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 435882 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/435882
Still Life with Apples and a Pot of Primroses, Paul Cézanne
Still Life with Apples and a Pot of Primroses — Paul Cézanneca. 1890

Also by Paul Cézanne

7
The Gulf of Marseille Seen from L'Estaque, Paul Cézanne
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Mont Sainte-Victoire and the Viaduct of the Arc River Valley, Paul Cézanne
Mont Sainte-Victoire and the Viaduct of the Arc River ValleyPaul Cézanne1882–85Metropolitan Museum of Art, New York, NY
Trees and Houses Near the Jas de Bouffan, Paul Cézanne
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View of the Domaine Saint-Joseph, Paul Cézanne
View of the Domaine Saint-JosephPaul Cézannelate 1880sMetropolitan Museum of Art, New York, NY
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, Paul Cézanne
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne1888–90Metropolitan Museum of Art, New York, NY
The Card Players, Paul Cézanne
The Card PlayersPaul Cézanne1890–92Metropolitan Museum of Art, New York, NY
Seated Peasant, Paul Cézanne
Seated PeasantPaul Cézanneca. 1892–96Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1890

3901
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Also at Metropolitan Museum of Art, New York, NY

522
Marble female figure, Bastis Master
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Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
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Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
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Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Basket of Apples, Paul Cezanne
The Basket of ApplesPaul Cezannec. 1893The Art Institute of Chicago
0.89
Still Life with Teapot and Fruit, Paul Gauguin
Still Life with Teapot and FruitPaul Gauguin1896Metropolitan Museum of Art, New York, NY
0.88
The Vase of Tulips, Paul Cezanne
The Vase of TulipsPaul Cezannec. 1890The Art Institute of Chicago
0.86
Still Life with Geranium, Henri Matisse
Still Life with GeraniumHenri Matisse1906The Art Institute of Chicago
0.85
Still Life with Flowers and Prickly Pears, Auguste Renoir
Still Life with Flowers and Prickly PearsAuguste Renoirca. 1885Metropolitan Museum of Art, New York, NY
0.84
The Plate of Apples, Paul Cezanne
The Plate of ApplesPaul Cezannec. 1877The Art Institute of Chicago
0.84
Grapes, Lemons, Pears, and Apples, Vincent van Gogh
Grapes, Lemons, Pears, and ApplesVincent van Gogh1887The Art Institute of Chicago
0.84
Oleanders, Vincent van Gogh
OleandersVincent van Gogh1888Metropolitan Museum of Art, New York, NY
0.84

In the stacks

Not yet checked
2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
    0.71
  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
    0.68

Next

Made in the nineteenth century, like Still Life with Apples and a Pot of Primroses.

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