The Basket of Apples, Paul Cezanne

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
still life, apples, basket, bottles, Bread, table, tablecloth, food, Century of Progress, world's fairs, Chicago World's Fairs
Wikidata depicts
apple

Means

No reading yet.

Rights

Credit
Helen Birch Bartlett Memorial Collection. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 111436 (read 2026-08-27)
Record
https://www.artic.edu/artworks/111436
IIIF
manifest
The Basket of Apples, Paul Cezanne
The Basket of Apples — Paul Cezannec. 1893

Also by Paul Cezanne

8
Figure Studies Over an Etching of an Ornamental Vase, Paul Cezanne
Figure Studies Over an Etching of an Ornamental VasePaul Cezanne1870/72The Art Institute of Chicago
The Plate of Apples, Paul Cezanne
The Plate of ApplesPaul Cezannec. 1877The Art Institute of Chicago
Auvers, Panoramic View, Paul Cezanne
Auvers, Panoramic ViewPaul Cezanne1873–75The Art Institute of Chicago
The Bay of Marseille, Seen from L'Estaque, Paul Cezanne
The Bay of Marseille, Seen from L'EstaquePaul Cezannec. 1885The Art Institute of Chicago
The Vase of Tulips, Paul Cezanne
The Vase of TulipsPaul Cezannec. 1890The Art Institute of Chicago
Madame Cezanne in a Yellow Chair, Paul Cezanne
Madame Cezanne in a Yellow ChairPaul Cezanne1888–90The Art Institute of Chicago
The Bathers, Paul Cezanne
The BathersPaul Cezanne1899-1904The Art Institute of Chicago
The Three Skulls, Paul Cezanne
The Three SkullsPaul Cezanne1902/06The Art Institute of Chicago

Within fifty years of c. 1893

3903
Tradecard, Crace and Son, Unknown
Tradecard, Crace and SonUnknownca. 1837Cooper Hewitt, Smithsonian Design Museum
Tradecard, Frederick Crace and Son, Unknown
Tradecard, Frederick Crace and SonUnknownca. 1837Cooper Hewitt, Smithsonian Design Museum
Grand Canal, Unknown
Grand CanalUnknownca. 1837Cooper Hewitt, Smithsonian Design Museum
An Interior, Mary Ellen Best, 1809 – 1891
An InteriorMary Ellen Best, 1809 – 18911837–40Cooper Hewitt, Smithsonian Design Museum
Study, Jean Auguste Dominique Ingres
StudyJean Auguste Dominique Ingresc. 1842The Art Institute of Chicago
Moonrise on an Empty Shore, Caspar David Friedrich
Moonrise on an Empty ShoreCaspar David Friedrich1837/1839National Gallery of Art
Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia), William Henry Fox Talbot
Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia)William Henry Fox Talbotc. 1842The Art Institute of Chicago
Tradecard, Frederick Crace and Son, London, Frederick Crace, English, 1779–1859
Tradecard, Frederick Crace and Son, LondonFrederick Crace, English, 1779–18591838–40Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

503
Statuette of a Female Figure, Ancient Greek
Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago
Ring with a Scarab Bezel, Ancient Egyptian
Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago
Fragment of a Stela of Neferhotep, Ancient Egyptian
Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago
Funerary Papyrus of Tayuhenutmut, Ancient Egyptian
Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago
Cauldron, China
CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago
Coffin and Mummy of Paankhaenamun, Ancient Egyptian
Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago
Relief Showing the Head of a Winged Genius, Neo-Assyrian
Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago
Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

6 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Still Life with Apples and a Pot of Primroses, Paul Cézanne
Still Life with Apples and a Pot of PrimrosesPaul Cézanneca. 1890Metropolitan Museum of Art, New York, NY
0.89
The Plate of Apples, Paul Cezanne
The Plate of ApplesPaul Cezannec. 1877The Art Institute of Chicago
0.88
Still Life with Teapot and Fruit, Paul Gauguin
Still Life with Teapot and FruitPaul Gauguin1896Metropolitan Museum of Art, New York, NY
0.87
Still Life with Flowers and Prickly Pears, Auguste Renoir
Still Life with Flowers and Prickly PearsAuguste Renoirca. 1885Metropolitan Museum of Art, New York, NY
0.87
The Vase of Tulips, Paul Cezanne
The Vase of TulipsPaul Cezannec. 1890The Art Institute of Chicago
0.86
Grapes, Lemons, Pears, and Apples, Vincent van Gogh
Grapes, Lemons, Pears, and ApplesVincent van Gogh1887The Art Institute of Chicago
0.84

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
    0.71

  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
    0.68

Next

Made in the nineteenth century, like The Basket of Apples.

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