The Abandonment of Ariadne, Honoré Daumier (French, 1808–1879); Aubert

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit
Mr. and Mrs. Charles G. Prasse Collection
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 142014 (read 2026-09-01)
Record
https://clevelandart.org/art/1965.543
The Abandonment of Ariadne, Honoré Daumier (French, 1808–1879); Aubert
The Abandonment of Ariadne — Honoré Daumier (French, 1808–1879); Aubert1842

Also by Honoré Daumier (French, 1808–1879); Aubert

2
The Nightmare, Honoré Daumier (French, 1808–1879); Aubert
The NightmareHonoré Daumier (French, 1808–1879); Aubert1832Cleveland Museum of Art
The Legislative Belly, Honoré Daumier (French, 1808–1879); Aubert
The Legislative BellyHonoré Daumier (French, 1808–1879); Aubert1834Cleveland Museum of Art

Within fifty years of 1842

3930
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes)
Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY
Mark Pringle, Sir William Beechey
Mark PringleSir William Beecheyc. 1797The Art Institute of Chicago
Two Elevations of a Palace, Giuseppe Barberi, Italian, 1746–1809
Two Elevations of a PalaceGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum
République Française Liberté Égalité, Unknown
République Française Liberté ÉgalitéUnknownca. 1792Cooper Hewitt, Smithsonian Design Museum
Design for Wall Decoration, Pompeiian Room, Palazzo Altieri, Rome, Felice Giani, Italian, 1758–1823
Design for Wall Decoration, Pompeiian Room, Palazzo Altieri, RomeFelice Giani, Italian, 1758–18231792Cooper Hewitt, Smithsonian Design Museum
Precinct of a Palace, Giuseppe Barberi, Italian, 1746–1809
Precinct of a PalaceGiuseppe Barberi, Italian, 1746–18091792Cooper Hewitt, Smithsonian Design Museum
Memorial Structure, Giuseppe Barberi, Italian, 1746–1809
Memorial StructureGiuseppe Barberi, Italian, 1746–18091792-1795Cooper Hewitt, Smithsonian Design Museum
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blakeca. 1797Yale Center for British Art

Also at Cleveland Museum of Art

434
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

5 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Print, Peltro William Tomkins, British, 1760 - 1840
PrintPeltro William Tomkins, British, 1760 - 18401811Cooper Hewitt, Smithsonian Design Museum
0.84
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.83
The Bathers, Winslow Homer
The BathersWinslow Homer1882Metropolitan Museum of Art, New York, NY
0.83
Salomé, Pablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)
SaloméPablo Picasso (Spanish, 1881–1973); Louis Fort (French, active 1800s–1900s); Ambroise Vollard (French, 1867–1939)1905, printed 1913Cleveland Museum of Art
0.83
NIKOU femme Bonze ou Religieuse Chinoise, Antoine Watteau, French, 1684–1721
NIKOU femme Bonze ou Religieuse ChinoiseAntoine Watteau, French, 1684–17211731Cooper Hewitt, Smithsonian Design Museum
0.83

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an
    0.71

Next

Made in the nineteenth century, like The Abandonment of Ariadne.

0:00–0:00