Border — Unknown, 1875–1906

Border, Unknown

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Credit: Museum purchase from Smithsonian Institution Collections Acquisition Program and Sarah Cooper-Hewitt Funds
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1995-165-30 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/200283

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1875–1906

3020

Genoveva’s Murderers Take Pity, Josef von Führich — Genoveva’s Murderers Take PityJosef von Führichc. 1830The Art Institute of Chicago

View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio), John Rubens Smith — View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio)John Rubens Smith1825Metropolitan Museum of Art, New York, NY

A Commissioned and a Non-Commissioned Cavalry Officer, Victor Vincent Adam, French, 1801 – 1866 — A Commissioned and a Non-Commissioned Cavalry OfficerVictor Vincent Adam, French, 1801 – 18661825–1850Cooper Hewitt, Smithsonian Design Museum

Illustration for Alexander Pope's "Rape of the Lock". vol.1, p. 141, Alexander Pope — Illustration for Alexander Pope's "Rape of the Lock". vol.1, p. 141Alexander Pope1825 - 1830Cooper Hewitt, Smithsonian Design Museum

Box, Zuber & Cie, Rixheim, Alsace, France, founded 1797 — BoxZuber & Cie, Rixheim, Alsace, France, founded 17971825–35Cooper Hewitt, Smithsonian Design Museum

Cathedral of Notre Dame in Paris, Charles Nicolas Ransonnette, French, 1793 - 1877 — Cathedral of Notre Dame in ParisCharles Nicolas Ransonnette, French, 1793 - 18771825–1840Cooper Hewitt, Smithsonian Design Museum

Atrium and Staircase in Classical Style, Felice Giani, Italian, 1758–1823 — Atrium and Staircase in Classical StyleFelice Giani, Italian, 1758–1823ca. 1825Cooper Hewitt, Smithsonian Design Museum

A Country House, Charles Nicolas Ransonnette, French, 1793 - 1877 — A Country HouseCharles Nicolas Ransonnette, French, 1793 - 18771825–1840Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3031

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Border, American Wall Paper Manufacturers' Association, 1879–1887 — BorderAmerican Wall Paper Manufacturers' Association, 1879–18871880–87Cooper Hewitt, Smithsonian Design Museum

0.88

Border, American Wall Paper Manufacturers' Association, 1879–1887 — BorderAmerican Wall Paper Manufacturers' Association, 1879–18871880–87Cooper Hewitt, Smithsonian Design Museum

0.87

Border, Unknown — BorderUnknown1875–1906Cooper Hewitt, Smithsonian Design Museum

0.87

Border, Unknown — BorderUnknown1875–1906Cooper Hewitt, Smithsonian Design Museum

0.86

Border, Unknown — BorderUnknown1835–45Cooper Hewitt, Smithsonian Design Museum

0.86

Frieze, Howell and Brothers, 1835 – 1900 — FriezeHowell and Brothers, 1835 – 19001905–1915Cooper Hewitt, Smithsonian Design Museum

0.85

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA — FriezeMaxwell & Co., S.A., Chicago, Illinois, USA1905–1915Cooper Hewitt, Smithsonian Design Museum

0.84

Frieze, Unknown — FriezeUnknown1905–1915Cooper Hewitt, Smithsonian Design Museum

0.84

Next

Made in the nineteenth century, like Border.

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