View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio) — John Rubens Smith, 1825

View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio), John Rubens Smith

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Rivers, Mountains, Landscapes, Trees

Means

No reading yet.

Rights

Credit: The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 418425 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/418425

Within fifty years of 1825

3384

Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi), Torii Kiyonaga — Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi)Torii KiyonagaEdo period (1615–1868), about 1779The Art Institute of Chicago

Panel (Dress Fabric), France — Panel (Dress Fabric)France1775/1800The Art Institute of Chicago

Title Page and Design for the Letters A and B, N. Bruchon, French, active 18th century — Title Page and Design for the Letters A and BN. Bruchon, French, active 18th century1775–87Cooper Hewitt, Smithsonian Design Museum

The Letter S, Giovanni Battista Betti, Italian, active 1754 - 1777 — The Letter SGiovanni Battista Betti, Italian, active 1754 - 17771775Cooper Hewitt, Smithsonian Design Museum

A Radish Plant, Seed, and Flower, Unknown — A Radish Plant, Seed, and FlowerUnknownlate 18th centuryMetropolitan Museum of Art, New York, NY

Design for a Memorial Tablet, Giuseppe Barberi, Italian, 1746–1809 — Design for a Memorial TabletGiuseppe Barberi, Italian, 1746–18091775–1800Cooper Hewitt, Smithsonian Design Museum

Escutcheon as an overdoor, Giuseppe Barberi, Italian, 1746–1809 — Escutcheon as an overdoorGiuseppe Barberi, Italian, 1746–1809ca. 1775Cooper Hewitt, Smithsonian Design Museum

Chandelier Design (Title Page Before Lettering), Jean François Forty, active 1775 – 1790 — Chandelier Design (Title Page Before Lettering)Jean François Forty, active 1775 – 17901775–94Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

532

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

7 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio), John Hill — View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio)John Hill1822Metropolitan Museum of Art, New York, NY

0.93

Hudson (No. 13 of The Hudson River Portfolio), John Hill — Hudson (No. 13 of The Hudson River Portfolio)John Hill1825Metropolitan Museum of Art, New York, NY

0.89

Study of Landscape, Hudson River, NY, William Stanley Haseltine, American, 1835–1900 — Study of Landscape, Hudson River, NYWilliam Stanley Haseltine, American, 1835–1900ca. 1854Cooper Hewitt, Smithsonian Design Museum

0.88

Pastoral Scene, 3rd process, Unknown — Pastoral Scene, 3rd processUnknownca. 1840Cooper Hewitt, Smithsonian Design Museum

0.86

Harbor Scene, Jan Griffier I, Dutch, active England, 1645 - 1718 — Harbor SceneJan Griffier I, Dutch, active England, 1645 - 1718ca. 1700Cooper Hewitt, Smithsonian Design Museum

0.84

Peep-Show Print, Unknown — Peep-Show PrintUnknownmid-18th centuryCooper Hewitt, Smithsonian Design Museum

0.84

Pastoral Scene, 2nd process, Unknown — Pastoral Scene, 2nd processUnknownca. 1840Cooper Hewitt, Smithsonian Design Museum

0.83

Next

Made in the nineteenth century, like View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio).

The Annunciation1887
Genoveva’s Murderers Take Pity1825
Beaker with St. Stephen's Cathedral, Vienna1825
Cup and Saucer1825

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