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Design for Title Page Heading of "The Scarlet Thorn" by John Burroughs — Harry Fenn, American, 1845–19111892Also by Harry Fenn, American, 1845–1911
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Farmhouse of H. P. Bottom Near Rousseau's PositionHarry Fenn, American, 1845–19111884-88Cooper Hewitt, Smithsonian Design Museum
Ewer of Solid Silver made at IspahanHarry Fenn, American, 1845–19111886Cooper Hewitt, Smithsonian Design Museum
Old Persian Carving in BrassHarry Fenn, American, 1845–19111886Cooper Hewitt, Smithsonian Design Museum
Alexandria Bridge, ChickamaugaHarry Fenn, American, 1845–19111887Cooper Hewitt, Smithsonian Design Museum
The Snodgrass Farmhouse, ChickamaugaHarry Fenn, American, 1845–19111887Cooper Hewitt, Smithsonian Design Museum
McCool's FarmhouseHarry Fenn, American, 1845–19111887Cooper Hewitt, Smithsonian Design Museum
Corner Confederate Burying GroundHarry Fenn, American, 1845–19111888Cooper Hewitt, Smithsonian Design MuseumWithin fifty years of 1892
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Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi)Utagawa Hiroshige1847-52The Art Institute of Chicago
Friendship QuiltElla Maria Deacon1842The Art Institute of Chicago
Drawing RoomUnknown, Englishca. 1842Cooper Hewitt, Smithsonian Design Museum
SamplerUnknown1842Cooper Hewitt, Smithsonian Design Museum
Study of HandsJean-Auguste-Dominique Ingres (French, 1780–1867)1842Cleveland Museum of Art
The Abandonment of AriadneHonoré Daumier (French, 1808–1879); Aubert1842Cleveland Museum of Art
A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
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Made in the nineteenth century, like Design for Title Page Heading of "The Scarlet Thorn" by John Burroughs.