Seen
Not described yet.
Of
These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
- Iconclass
- 31A2422head turned to the right61B:31A2212(+1)31A235sitting figure41D221(HAT)31D11222girl (child between toddler and youth)61B(+52)22C8shadow41D222(CRAVAT)
- Wikidata depicts
- woman
Means
No reading yet.
Rights
- Credit
- Andrew W. Mellon Collection
- Licence
- CC0-1.0
- Evidence
- NationalGalleryOfArt/opendata: object 60 has an open-access image (published_images.csv, openaccess=1, uuid b705a403-3496-42e8-abf5-a37e34c32198); NGA's open data is CC0 (read 2026-08-27)
- Record
- https://www.nga.gov/collection/art-object-page.60.html
Also by Johannes Vermeer
6
Within fifty years of c. 1669
1180
Also at National Gallery of Art
83
Similar picturesFound by visual likeness
1 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
In the stacks
Not yet checked1Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.
Quite analogous is the development of the theme of the painter and his model, a subject known to earlier art as St. Luke and the Virgin. If we wish to draw the comparison here between northern pictures, and at the same Palma Vecchio PAINTING 77 Tintoretto time take a rather greater interval of time, we can contrast with Vermeer’s * baroque schema the plane schema of a painter of the school of Dirk Bouts,* where the principle of the stratification of the picture in parallel planes is carried out—in the
0.72