Date ca. 1662–63 Medium Oil on canvas Terms oil 300015050 canvas 300014078 Dimensions 20 1/4 x 18 in. (51.4 x 45.7 cm) Collection Metropolitan Museum of Art, New York, NY 25.110.24 Getty ids beside the museum's words, by exact match, 2026-09-09
oil read as oil paint by Abe Garcia, 2026-09-07
Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Iconclass 48C75111 Holder's headings Interiors , Women , Music , Lutes , Maps Wikidata depicts woman , map , window , lute , musician , interior , Europae nova descriptio Close Young Woman with a Lute — Johannes Vermeer ca. 1662–63
Also by Johannes Vermeer 6
Within fifty years of ca. 1662–63 1185 Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing) Pieter Jansz. Quastn.d. The Art Institute of Chicago The sacrifice of Abraham Pieter Lastman1612 Rijksmuseum The Sacrifice of Isaac Peter Paul Rubens1612 The Nelson-Atkins Museum of Art The Adoration of the Shepherds El Greco (Domenikos Theotokopoulos) and Workshopca. 1612–14 Metropolitan Museum of Art, New York, NY Lexicon alchemiae sive dictionarium alchemisticum, cum obscuriorum verborum, & rerum hermeticarum, tum Theophrast-Paracelsicarum phrasium, planam explicationem continens Ruland, Martin1612 Stiftung der Werke von C.G.Jung, Zürich, online Veterum sophorum sigilla et imagines magicae, sive sculpturae lapidum et gemmarum secundum nomen dei tetragrammaton, cum signatura planetarum et iuxta certos coeli tractus et constellationes, ad stupendos et mirandos effectus producendos. Additur vera eas conficiendi ratio & pro acuenda memoria ac ingenio erectio signaturae Mercurii stupenda ... Trithemius, Johannes1612 Stiftung der Werke von C.G.Jung, Zürich Trois traitez de la philosophie naturelle non encore imprimez ... : scavoir le secret livre du ... philosophe Artephius traitant de l'art occulte et transmutation metallique ... ; plus les figures hierogliphiques Artephius1612 Stiftung der Werke von C.G.Jung, Zürich Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in quatuor partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- quartum] / Volumen quartum. Unknown1613 Stiftung der Werke von C.G.Jung, Zürich
Also at Metropolitan Museum of Art, New York, NY 683 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY In the stacks Not yet checked 1
Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.
principles of art history · heinrich wolfflin
Quite analogous is the development of the theme of the painter and his model, a subject known to earlier art as St. Luke and the Virgin. If we wish to draw the comparison here between northern pictures, and at the same Palma Vecchio PAINTING 77 Tintoretto time take a rather greater interval of time, we can contrast with Vermeer’s * baroque schema the plane schema of a painter of the school of Dirk Bouts,* where the principle of the stratification of the picture in parallel planes is carried out—in the … 0.72 Add a connection Propose a reading
Next Made in the seventeenth century, like Young Woman with a Lute.
![Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in quatuor partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- quartum] / Volumen quartum., Unknown](https://library.wrkhrs.co/artwork/erara-8512-v2287455.jpg)
