RoseUtagawa HiroshigeMetropolitan Museum of Art, New York, NYAutomaton clock in the form of Urania, Muse of AstronomyPaullus Schillerca. 1620–30Metropolitan Museum of Art, New York, NYJeronimo de BranLucas Emil Vorstermanc. 1615–75The Art Institute of ChicagoAlphabet (Incunabulum page ?)David Roelands, Dutch, b. 1572ca. 1615Cooper Hewitt, Smithsonian Design MuseumTitle PageAntoine Jacquard, French, active ca. 1616 – d. 16521615Cooper Hewitt, Smithsonian Design MuseumBasket of FruitBartolomeo Cavarozzica. 1620Metropolitan Museum of Art, New York, NYPortrait of a ManTanzio da Varallo (Italian, c. 1575/80–1635)c. 1620Cleveland Museum of ArtAlbert, Archduke of AustriaJan Muller after Sir Peter Paul Rubens1615National Gallery of Art
Quite analogous is the development of the theme of the painter and his model, a subject known to earlier art as St. Luke and the Virgin. If we wish to draw the comparison here between northern pictures, and at the same Palma Vecchio PAINTING 77 Tintoretto time take a rather greater interval of time, we can contrast with Vermeer’s * baroque schema the plane schema of a painter of the school of Dirk Bouts,* where the principle of the stratification of the picture in parallel planes is carried out—in the …
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Made in the seventeenth century, like Study of a Young Woman.