Project for a Candelabrum — Unknown, ca. 1844

Project for a Candelabrum, Unknown

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-886 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/11073

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1844

2699

The Stag and the Chamois, Maximilian Josef Wagenbauer — The Stag and the ChamoisMaximilian Josef Wagenbauern.d.The Art Institute of Chicago

Otani Tokuji I as the Retainer Sodesuke in "Flowering Irises: A Soga Vendetta of the Bunroku Era", Tōshūsai Sharaku (Japanese, active 1794–95) — Otani Tokuji I as the Retainer Sodesuke in "Flowering Irises: A Soga Vendetta of the Bunroku Era"Tōshūsai Sharaku (Japanese, active 1794–95)1794Cleveland Museum of Art

Ichikawa Ebizō IV (Danjurō) as Takemura Sadanoshin in The Loving Wife's Parti-Colored Reins, Tōshūsai Sharaku (Japanese, active 1794–95) — Ichikawa Ebizō IV (Danjurō) as Takemura Sadanoshin in The Loving Wife's Parti-Colored ReinsTōshūsai Sharaku (Japanese, active 1794–95)1794Cleveland Museum of Art

Songs of Experience: A Little Girl Lost, William Blake — Songs of Experience: A Little Girl LostWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY

Songs of Experience: To Tirzah, William Blake — Songs of Experience: To TirzahWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY

Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lilly, William Blake — Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The LillyWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY

Songs of Experience: A Little Boy Lost, William Blake — Songs of Experience: A Little Boy LostWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY

Songs of Experience: Earth's Answer, William Blake — Songs of Experience: Earth's AnswerWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY

Also at Cooper Hewitt, Smithsonian Design Museum

3251

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Project for a Candlestick, Unknown — Project for a CandlestickUnknownca. 1820Cooper Hewitt, Smithsonian Design Museum

0.91

Design for an Urn, Unknown — Design for an UrnUnknown1800–1820Cooper Hewitt, Smithsonian Design Museum

0.91

Design for pendant with crown and coat of arms, Medici Family — Design for pendant with crown and coat of armsMedici Family16th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Design for a Centerpiece, Baldassare Peruzzi, Italian, 1481 – 1536 — Design for a CenterpieceBaldassare Peruzzi, Italian, 1481 – 15361590–1630Cooper Hewitt, Smithsonian Design Museum

0.90

Design for pendant with satyr's head, Medici Family — Design for pendant with satyr's headMedici Family16th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Project for the Knob of a Processional Knot, Unknown — Project for the Knob of a Processional KnotUnknown1750–1775Cooper Hewitt, Smithsonian Design Museum

0.89

Design for a ewer, Unknown — Design for a ewerUnknownca. 1540Cooper Hewitt, Smithsonian Design Museum

0.89

Design for brooch with standing nude woman, Unknown — Design for brooch with standing nude womanUnknown16th centuryCooper Hewitt, Smithsonian Design Museum

0.89

Next

Made in the nineteenth century, like Project for a Candelabrum.

The Annunciation1887
Nelson's Column under Construction, Trafalgar Square, London1844
Lace1844
Model Reading in the Studio1844

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