
Edmond Cavé (1794–1852) — Jean Auguste Dominique Ingres1844Also by Jean Auguste Dominique Ingres
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View of Saint Peter's in RomeJean Auguste Dominique Ingresn.d.The Art Institute of Chicago
Joseph-Antoine Moltedo (born 1775)Jean Auguste Dominique Ingresca. 1810Metropolitan Museum of Art, New York, NY
Charles François Mallet, Civil EngineerJean Auguste Dominique Ingres1809The Art Institute of Chicago
Sheet of Studies with the Head of the Fornarina and Hands of Madame de SenonnesJean Auguste Dominique Ingres1814/16The Art Institute of Chicago
The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)Jean Auguste Dominique Ingres1818Metropolitan Museum of Art, New York, NY
Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839)Jean Auguste Dominique Ingres1823Metropolitan Museum of Art, New York, NY
Amédée-David, the Comte de PastoretJean Auguste Dominique Ingres1823–26The Art Institute of Chicago
Odalisque in GrisailleJean Auguste Dominique Ingresca. 1824–34Metropolitan Museum of Art, New York, NYWithin fifty years of 1844
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The Stag and the ChamoisMaximilian Josef Wagenbauern.d.The Art Institute of Chicago
Otani Tokuji I as the Retainer Sodesuke in "Flowering Irises: A Soga Vendetta of the Bunroku Era"Tōshūsai Sharaku (Japanese, active 1794–95)1794Cleveland Museum of Art
Ichikawa Ebizō IV (Danjurō) as Takemura Sadanoshin in The Loving Wife's Parti-Colored ReinsTōshūsai Sharaku (Japanese, active 1794–95)1794Cleveland Museum of Art
Songs of Experience: A Little Girl LostWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: To TirzahWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The LillyWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: A Little Boy LostWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: Earth's AnswerWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NYAlso at Metropolitan Museum of Art, New York, NY
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Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
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Jean Auguste Dominique Ingres made Edmond Cavé (1794–1852), and made these too.
Made in the nineteenth century, like Edmond Cavé (1794–1852).