The Natchez, Eugène Delacroix

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Not described yet.


Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Infants, Fathers, Mothers, Family
Wikidata depicts
infant, mother, father, family, Indigenous peoples of the United States in North America

Means

No reading yet.


Rights

Credit
Purchase, Gifts of George N. and Helen M. Richard and Mr. and Mrs. Charles S. McVeigh and Bequest of Emma A. Sheafer, by exchange, 1989
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 436180 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/436180
The Natchez, Eugène Delacroix
The Natchez — Eugène Delacroix1823–24 and 1835

Also by Eugène Delacroix

15
Political and Satirical Sketches, after Cruikshank, Eugène Delacroix
Political and Satirical Sketches, after CruikshankEugène Delacroix1819–21Metropolitan Museum of Art, New York, NY
Ecorché: Torso of a Male Cadaver, Eugène Delacroix
Ecorché: Torso of a Male CadaverEugène Delacroix1828?Metropolitan Museum of Art, New York, NY
Sheet of Sketches, Eugène Delacroix
Sheet of SketchesEugène Delacroix1826The Art Institute of Chicago
The Combat of the Giaour and Hassan, Eugène Delacroix
The Combat of the Giaour and HassanEugène Delacroix1826The Art Institute of Chicago
Crouching Woman, Eugène Delacroix
Crouching WomanEugène Delacroix1827The Art Institute of Chicago
Jane Shore, Eugène Delacroix
Jane ShoreEugène Delacroix1828The Art Institute of Chicago
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their DaughtersEugène Delacroix1832Metropolitan Museum of Art, New York, NY
A Jewish Bride in Tangier, Eugène Delacroix
A Jewish Bride in TangierEugène Delacroix1833Metropolitan Museum of Art, New York, NY

Within fifty years of 1823–24 and 1835

3244
Title Page, Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796
Title PagePierre Thomas Le Clerc, French, ca. 1740 - ca. 17961773Cooper Hewitt, Smithsonian Design Museum
Title Page, Jean-Baptiste Pillement, French, 1728–1808
Title PageJean-Baptiste Pillement, French, 1728–18081773Cooper Hewitt, Smithsonian Design Museum
Title Page, Jean-Baptiste Pillement, French, 1728–1808
Title PageJean-Baptiste Pillement, French, 1728–18081773Cooper Hewitt, Smithsonian Design Museum
Seated Man, Jean-Baptiste Pillement, French, 1728–1808
Seated ManJean-Baptiste Pillement, French, 1728–18081773Cooper Hewitt, Smithsonian Design Museum
Ornament & vases, pl. 1, William Darling
Ornament & vases, pl. 1William Darling1773Cooper Hewitt, Smithsonian Design Museum
Ornament & vases, pl. 5, William Darling
Ornament & vases, pl. 5William Darling1773Cooper Hewitt, Smithsonian Design Museum
Ornamental Frame Design, P. Moithey, French, active 18th century
Ornamental Frame DesignP. Moithey, French, active 18th century1773Cooper Hewitt, Smithsonian Design Museum
Album of Decorative Panels, Trophies, and Monogram Designs, Pierre Ranson, French, 1736–1786
Album of Decorative Panels, Trophies, and Monogram DesignsPierre Ranson, French, 1736–17861773–90Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

540
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

3 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Midas Washing at the Source of the Pactolus, Nicolas Poussin
Midas Washing at the Source of the PactolusNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY
0.84
Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin (French, 1594–1665)
Nymphs and a Satyr (Amor Vincit Omnia)Nicolas Poussin (French, 1594–1665)c. 1625–27Cleveland Museum of Art
0.83
The Dream of Aeneas, Salvator Rosa
The Dream of AeneasSalvator Rosa1660–65Metropolitan Museum of Art, New York, NY
0.83

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Eugène Delacroix made The Natchez, and made these too.

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