
Rights
- Credit
- Purchase, Gifts of George N. and Helen M. Richard and Mr. and Mrs. Charles S. McVeigh and Bequest of Emma A. Sheafer, by exchange, 1989
- Licence
- CC0-1.0
- Evidence
- metmuseum.org collection api v1: isPublicDomain=true on object 436180 (read 2026-09-01)
- Record
- https://www.metmuseum.org/art/collection/search/436180
The Natchez — Eugène Delacroix1823–24 and 1835Also by Eugène Delacroix
15
Political and Satirical Sketches, after CruikshankEugène Delacroix1819–21Metropolitan Museum of Art, New York, NY
Ecorché: Torso of a Male CadaverEugène Delacroix1828?Metropolitan Museum of Art, New York, NY
Sheet of SketchesEugène Delacroix1826The Art Institute of Chicago
The Combat of the Giaour and HassanEugène Delacroix1826The Art Institute of Chicago
Crouching WomanEugène Delacroix1827The Art Institute of Chicago
Jane ShoreEugène Delacroix1828The Art Institute of Chicago
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their DaughtersEugène Delacroix1832Metropolitan Museum of Art, New York, NY
A Jewish Bride in TangierEugène Delacroix1833Metropolitan Museum of Art, New York, NYWithin fifty years of 1823–24 and 1835
3244
Title PagePierre Thomas Le Clerc, French, ca. 1740 - ca. 17961773Cooper Hewitt, Smithsonian Design Museum
Title PageJean-Baptiste Pillement, French, 1728–18081773Cooper Hewitt, Smithsonian Design Museum
Title PageJean-Baptiste Pillement, French, 1728–18081773Cooper Hewitt, Smithsonian Design Museum
Seated ManJean-Baptiste Pillement, French, 1728–18081773Cooper Hewitt, Smithsonian Design Museum
Ornament & vases, pl. 1William Darling1773Cooper Hewitt, Smithsonian Design Museum
Ornament & vases, pl. 5William Darling1773Cooper Hewitt, Smithsonian Design Museum
Ornamental Frame DesignP. Moithey, French, active 18th century1773Cooper Hewitt, Smithsonian Design Museum
Album of Decorative Panels, Trophies, and Monogram DesignsPierre Ranson, French, 1736–17861773–90Cooper Hewitt, Smithsonian Design MuseumAlso at Metropolitan Museum of Art, New York, NY
540
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
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Eugène Delacroix made The Natchez, and made these too.
Made in the nineteenth century, like The Natchez.