Mademoiselle V. . . in the Costume of an Espada — Edouard Manet, 1862

Mademoiselle V. . . in the Costume of an Espada, Edouard Manet

Seen

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Iconclass: 43C1422161BB2(VICTORINE MEURENT)1
Holder's headings: Women, Bulls, Horses
Wikidata depicts: woman, horse, sword, hat, equestrianism, bullfighting, stocking, Victorine Meurent, transvestism, bull, ballet flat, traje de luces, bolero, bullring, standing, headscarf, picador, breeches, matador, muleta, burladero, ruedo, Spanish costume, disguise, gaze towards the viewer

Means

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Rights

Credit: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436945 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/436945

Also by Edouard Manet

5

The Smoker, Edouard Manet — The SmokerEdouard ManetMetropolitan Museum of Art, New York, NY

The Brioche, Edouard Manet — The BriocheEdouard Manet1870Metropolitan Museum of Art, New York, NY

The Monet Family in Their Garden at Argenteuil, Edouard Manet — The Monet Family in Their Garden at ArgenteuilEdouard Manet1874Metropolitan Museum of Art, New York, NY

George Moore (1852–1933), Edouard Manet — George Moore (1852–1933)Edouard Manet1879Metropolitan Museum of Art, New York, NY

Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, Edouard Manet — Madame Manet (Suzanne Leenhoff, 1829–1906) at BellevueEdouard Manet1880Metropolitan Museum of Art, New York, NY

Within fifty years of 1862

4328

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, Francisco José de Goya y Lucientes — Three Men Carrying a Wounded Soldier, from the Images of Spain, Album FFrancisco José de Goya y Lucientes1812/20The Art Institute of Chicago

Legs and Feet of Male Nude, Michelangelo Buonarroti — Legs and Feet of Male NudeMichelangelo Buonarroti1812/50The Art Institute of Chicago

An Exquisite, George Cruikshank — An ExquisiteGeorge Cruikshankca. 1817Metropolitan Museum of Art, New York, NY

Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle, Felice Giani, Italian, 1758–1823 — Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and EagleFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and Ox, Felice Giani, Italian, 1758–1823 — Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and OxFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum

Autolycus, Lumb Stocks, British, 1812 - 1892 — AutolycusLumb Stocks, British, 1812 - 18921812-1892Cooper Hewitt, Smithsonian Design Museum

Frontispiece, François-Joseph Bélanger, French, 1744–1818 — FrontispieceFrançois-Joseph Bélanger, French, 1744–18181812Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1812Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

487

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

2 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Portrait of the Jester Calabazas, Diego Velázquez (Spanish, 1599–1660) — Portrait of the Jester CalabazasDiego Velázquez (Spanish, 1599–1660)c. 1631–32Cleveland Museum of Art

0.84

Portrait of Philip IV, Workshop of Diego Rodriguez de Velázquez — Portrait of Philip IVWorkshop of Diego Rodriguez de Velázquezc. 1632The Art Institute of Chicago

0.84

Next

Made in the nineteenth century, like Mademoiselle V. . . in the Costume of an Espada.

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