Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, Edouard Manet

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Profiles, Women
Wikidata depicts
woman, profile

Means

No reading yet.

Rights

Credit
The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1997, Bequest of Walter H. Annenberg, 2002
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 438002 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/438002
Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, Edouard Manet
Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue — Edouard Manet1880

Also by Edouard Manet

5
Mademoiselle V. . . in the Costume of an Espada, Edouard Manet
Mademoiselle V. . . in the Costume of an EspadaEdouard Manet1862Metropolitan Museum of Art, New York, NY
The Smoker, Edouard Manet
The SmokerEdouard ManetMetropolitan Museum of Art, New York, NY
The Brioche, Edouard Manet
The BriocheEdouard Manet1870Metropolitan Museum of Art, New York, NY
The Monet Family in Their Garden at Argenteuil, Edouard Manet
The Monet Family in Their Garden at ArgenteuilEdouard Manet1874Metropolitan Museum of Art, New York, NY
George Moore (1852–1933), Edouard Manet
George Moore (1852–1933)Edouard Manet1879Metropolitan Museum of Art, New York, NY

Within fifty years of 1880

4060
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige
No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago
No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige
No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago
Ōmori, from the series Famous Places in the Eastern Capital, Utagawa Kuniyoshi (Japanese, 1797–1861)
Ōmori, from the series Famous Places in the Eastern CapitalUtagawa Kuniyoshi (Japanese, 1797–1861)early 1830sCleveland Museum of Art
South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji, Katsushika Hokusai (Japanese, 1760–1849)
South Wind, Clear Sky, from Thirty-Six Views of Mount FujiKatsushika Hokusai (Japanese, 1760–1849)early 1830sCleveland Museum of Art
Trade Card of John Williams, Clothier, Unknown
Trade Card of John Williams, ClothierUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum
Botanical Specimen, William Henry Fox Talbot
Botanical SpecimenWilliam Henry Fox Talbotc. 1835The Art Institute of Chicago
Bandbox, Unknown
BandboxUnknown1830–40Cooper Hewitt, Smithsonian Design Museum
Pieced Quilt (Honeycomb), Unidentified
Pieced Quilt (Honeycomb)Unidentifiedca. 1830Smithsonian American Art Museum

Also at Metropolitan Museum of Art, New York, NY

517
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Made in the nineteenth century, like Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue.

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