Of
These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
- Holder's headings
- Men, Portraits
- Wikidata depicts
- man, portrait, George Moore
George Moore (1852–1933) — Edouard Manet1879Also by Edouard Manet
5
Mademoiselle V. . . in the Costume of an EspadaEdouard Manet1862Metropolitan Museum of Art, New York, NY
The SmokerEdouard ManetMetropolitan Museum of Art, New York, NY
The BriocheEdouard Manet1870Metropolitan Museum of Art, New York, NY
The Monet Family in Their Garden at ArgenteuilEdouard Manet1874Metropolitan Museum of Art, New York, NY
Madame Manet (Suzanne Leenhoff, 1829–1906) at BellevueEdouard Manet1880Metropolitan Museum of Art, New York, NYWithin fifty years of 1879
4064Also at Metropolitan Museum of Art, New York, NY
517
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
Next
Made in the nineteenth century, like George Moore (1852–1933).