The Fortune-Teller — Georges de La Tour, probably 1630s

The Fortune-Teller, Georges de La Tour

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Iconclass: 43C7173
Holder's headings: Men, Women
Wikidata depicts: woman, man, fortune teller

Means

No reading yet.

Rights

Credit: Rogers Fund, 1960
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436838 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/436838

Within fifty years of probably 1630s

990

Seated Male Nude, Michelangelo Buonarroti — Seated Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

Last Supper, Raphael — Last SupperRaphaeln.d.The Art Institute of Chicago

Cuirass and Pauldrons for a Papal Swiss Guard, Italian, Brescia — Cuirass and Pauldrons for a Papal Swiss GuardItalian, Brescia1590; decoration 1623/44The Art Institute of Chicago

Table clock, Bartholomew Newsam — Table clockBartholomew Newsam1580–85Metropolitan Museum of Art, New York, NY

Escutcheon, Federico Zuccaro, Italian, 1542 – 1609 — EscutcheonFederico Zuccaro, Italian, 1542 – 1609ca. 1580Cooper Hewitt, Smithsonian Design Museum

Ferdinandes Magalanes Lusitanus, plate 4 from "Americae Retectio", Jan van der Straet, called Stradanus, Flemish, 1523–1605 — Ferdinandes Magalanes Lusitanus, plate 4 from "Americae Retectio"Jan van der Straet, called Stradanus, Flemish, 1523–16051580sCooper Hewitt, Smithsonian Design Museum

Mars, Jan van der Straet, called Stradanus, Flemish, 1523–1605 — MarsJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1580 – 1605Cooper Hewitt, Smithsonian Design Museum

CRADLE, Unknown — CRADLEUnknownca. 1580Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

677

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Made in the seventeenth century, like The Fortune-Teller.

The Crucifixion1627
The Agony in the Garden1626
The Last Supper, after Leonardo da Vinci1634
Abraham's Sacrifice1635

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