View of the Domaine Saint-Joseph, Paul Cézanne

Seen

Not described yet.


Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Mountains, Landscapes
Wikidata depicts
mountain, tree, landscape painting

Means

No reading yet.


Rights

Credit
Catharine Lorillard Wolfe Collection, Wolfe Fund, 1913
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 435885 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/435885
View of the Domaine Saint-Joseph, Paul Cézanne
View of the Domaine Saint-Joseph — Paul Cézannelate 1880s

Also by Paul Cézanne

7
The Gulf of Marseille Seen from L'Estaque, Paul Cézanne
The Gulf of Marseille Seen from L'EstaquePaul Cézanneca. 1885Metropolitan Museum of Art, New York, NY
Mont Sainte-Victoire and the Viaduct of the Arc River Valley, Paul Cézanne
Mont Sainte-Victoire and the Viaduct of the Arc River ValleyPaul Cézanne1882–85Metropolitan Museum of Art, New York, NY
Trees and Houses Near the Jas de Bouffan, Paul Cézanne
Trees and Houses Near the Jas de BouffanPaul Cézanne1885–86Metropolitan Museum of Art, New York, NY
Still Life with Apples and a Pot of Primroses, Paul Cézanne
Still Life with Apples and a Pot of PrimrosesPaul Cézanneca. 1890Metropolitan Museum of Art, New York, NY
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, Paul Cézanne
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne1888–90Metropolitan Museum of Art, New York, NY
The Card Players, Paul Cézanne
The Card PlayersPaul Cézanne1890–92Metropolitan Museum of Art, New York, NY
Seated Peasant, Paul Cézanne
Seated PeasantPaul Cézanneca. 1892–96Metropolitan Museum of Art, New York, NY

Within fifty years of late 1880s

3906
Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), Thomas Cole
Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)Thomas Cole1836Metropolitan Museum of Art, New York, NY
Study of a Dead Oak Tree, Daniel Huntington, American, 1816–1906
Study of a Dead Oak TreeDaniel Huntington, American, 1816–1906ca. 1836Cooper Hewitt, Smithsonian Design Museum
Brother Martin Clasping the Iron Hand of Goetz, Eugène Delacroix
Brother Martin Clasping the Iron Hand of GoetzEugène Delacroix1836The Art Institute of Chicago
Our country's flag! A new national song, Penniman, John, approximately 1817-1850.; John Cole & Son.
Our country's flag! A new national songPenniman, John, approximately 1817-1850.; John Cole & Son.Baltimore : Published by John Cole & Son, 1836.Library of Congress
Tradecard, Crace and Son, Unknown
Tradecard, Crace and SonUnknownca. 1837Cooper Hewitt, Smithsonian Design Museum
Tradecard, Frederick Crace and Son, Unknown
Tradecard, Frederick Crace and SonUnknownca. 1837Cooper Hewitt, Smithsonian Design Museum
Grand Canal, Unknown
Grand CanalUnknownca. 1837Cooper Hewitt, Smithsonian Design Museum
An Interior, Mary Ellen Best, 1809 – 1891
An InteriorMary Ellen Best, 1809 – 18911837–40Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

523
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

5 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Mont Sainte-Victoire and the Viaduct of the Arc River Valley, Paul Cézanne
Mont Sainte-Victoire and the Viaduct of the Arc River ValleyPaul Cézanne1882–85Metropolitan Museum of Art, New York, NY
0.88
Gardener's House at Antibes, Claude Monet (French, 1840–1926)
Gardener's House at AntibesClaude Monet (French, 1840–1926)1888Cleveland Museum of Art
0.84
Bordighera, Claude Monet
BordigheraClaude Monet1884The Art Institute of Chicago
0.84
Trees and Houses Near the Jas de Bouffan, Paul Cézanne
Trees and Houses Near the Jas de BouffanPaul Cézanne1885–86Metropolitan Museum of Art, New York, NY
0.83
The Pigeon Tower at Bellevue, Paul Cezanne (French, 1839–1906)
The Pigeon Tower at BellevuePaul Cezanne (French, 1839–1906)1890Cleveland Museum of Art
0.83

In the stacks

Not yet checked
2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
    0.71
  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
    0.68

Next

Made in the nineteenth century, like View of the Domaine Saint-Joseph.

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