Hudson (No. 13 of The Hudson River Portfolio), John Hill

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Human Figures, Houses, Rivers, Landscapes, Boats

Means

No reading yet.

Rights

Credit
The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 418422 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/418422
Hudson (No. 13 of The Hudson River Portfolio), John Hill
Hudson (No. 13 of The Hudson River Portfolio) — John Hill1825

Also by John Hill

1
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio), John Hill
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio)John Hill1822Metropolitan Museum of Art, New York, NY

Within fifty years of 1825

3383
Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi), Torii Kiyonaga
Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi)Torii KiyonagaEdo period (1615–1868), about 1779The Art Institute of Chicago
Panel (Dress Fabric), France
Panel (Dress Fabric)France1775/1800The Art Institute of Chicago
Title Page and Design for the Letters A and B, N. Bruchon, French, active 18th century
Title Page and Design for the Letters A and BN. Bruchon, French, active 18th century1775–87Cooper Hewitt, Smithsonian Design Museum
The Letter S, Giovanni Battista Betti, Italian, active 1754 - 1777
The Letter SGiovanni Battista Betti, Italian, active 1754 - 17771775Cooper Hewitt, Smithsonian Design Museum
A Radish Plant, Seed, and Flower, Unknown
A Radish Plant, Seed, and FlowerUnknownlate 18th centuryMetropolitan Museum of Art, New York, NY
Design for a Memorial Tablet, Giuseppe Barberi, Italian, 1746–1809
Design for a Memorial TabletGiuseppe Barberi, Italian, 1746–18091775–1800Cooper Hewitt, Smithsonian Design Museum
Escutcheon as an overdoor, Giuseppe Barberi, Italian, 1746–1809
Escutcheon as an overdoorGiuseppe Barberi, Italian, 1746–1809ca. 1775Cooper Hewitt, Smithsonian Design Museum
Chandelier Design (Title Page Before Lettering), Jean François Forty, active 1775 – 1790
Chandelier Design (Title Page Before Lettering)Jean François Forty, active 1775 – 17901775–94Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

532
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio), John Rubens Smith
View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio)John Rubens Smith1825Metropolitan Museum of Art, New York, NY
0.89
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio), John Hill
View Near Hudson (No. 15 (later No. 12) of The Hudson River Portfolio)John Hill1822Metropolitan Museum of Art, New York, NY
0.89
Pastoral Scene, 3rd process, Unknown
Pastoral Scene, 3rd processUnknownca. 1840Cooper Hewitt, Smithsonian Design Museum
0.87
Peep-Show Print, Unknown
Peep-Show PrintUnknownmid-18th centuryCooper Hewitt, Smithsonian Design Museum
0.87
Pastoral Scene, 2nd process, Unknown
Pastoral Scene, 2nd processUnknownca. 1840Cooper Hewitt, Smithsonian Design Museum
0.86
Print, Unknown
PrintUnknownCooper Hewitt, Smithsonian Design Museum
0.84
Peep-Show Print, Unknown
Peep-Show PrintUnknownmid-18th centuryCooper Hewitt, Smithsonian Design Museum
0.84
Print, Jean-Baptiste Pillement, French, 1728–1808
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum
0.84

Next

Made in the nineteenth century, like Hudson (No. 13 of The Hudson River Portfolio).

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