The Dandies Coat of Arms — George Cruikshank, March 28, 1819

The Dandies Coat of Arms, George Cruikshank

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Coat of Arms, Fashion, Caricature

Means

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Rights

Credit: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund and Harris Brisbane Dick Fund, by Exchange, 1970
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 395508 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/395508

Also by George Cruikshank

2

An Exquisite, George Cruikshank — An ExquisiteGeorge Cruikshankca. 1817Metropolitan Museum of Art, New York, NY

Zéphir, George Cruikshank — ZéphirGeorge Cruikshank1817–19Metropolitan Museum of Art, New York, NY

Within fifty years of March 28, 1819

3246

QUATUOR BAVARIAE REGIMINA IN FONTE REPRAESENTATA, François de Cuvilliés the younger, German, 1731 - 1777 — QUATUOR BAVARIAE REGIMINA IN FONTE REPRAESENTATAFrançois de Cuvilliés the younger, German, 1731 - 17771769Cooper Hewitt, Smithsonian Design Museum

Album of Headpieces from Charles-François Saint-Lambert’s Les Saisons, Poëme, Pierre-Philippe Choffard, French, 1730–1809 — Album of Headpieces from Charles-François Saint-Lambert’s Les Saisons, PoëmePierre-Philippe Choffard, French, 1730–18091769–75Cooper Hewitt, Smithsonian Design Museum

Title Page, Pietro Metastasio, Italian, 1698 – 1782 — Title PagePietro Metastasio, Italian, 1698 – 17821769Cooper Hewitt, Smithsonian Design Museum

Ornamental Vignette with Gourd and Pedestal, D. P. Pariset, French, 1740 - ca. 1783 — Ornamental Vignette with Gourd and PedestalD. P. Pariset, French, 1740 - ca. 17831769–1783Cooper Hewitt, Smithsonian Design Museum

Centerpiece for the Ambassador of the Maltese Order, Giuseppe Barberi, Italian, 1746–1809 — Centerpiece for the Ambassador of the Maltese OrderGiuseppe Barberi, Italian, 1746–18091769Cooper Hewitt, Smithsonian Design Museum

The Two Sisters, Jean Honoré Fragonard — The Two SistersJean Honoré Fragonardca. 1769–70Metropolitan Museum of Art, New York, NY

A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543., Jean Le Rond d'Alembert; Denis Diderot; Andreas Vesalius; Benoît-Louis Prévost; Hinde, M., active 18th century — A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543.Jean Le Rond d'Alembert; Denis Diderot; Andreas Vesalius; Benoît-Louis Prévost; Hinde, M., active 18th century[1769]Wellcome Collection

The Island of San Michele, Venice, Francesco Guardi — The Island of San Michele, VeniceFrancesco Guardi1770sMetropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

544

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

7 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Bound print, Unknown — Bound printUnknownCooper Hewitt, Smithsonian Design Museum

0.84

Bound print, Unknown — Bound printUnknownCooper Hewitt, Smithsonian Design Museum

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Bound print, Unknown — Bound printUnknownCooper Hewitt, Smithsonian Design Museum

0.84

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.84

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Bound print, Unknown — Bound printUnknownCooper Hewitt, Smithsonian Design Museum

0.83

Bound print, Unknown — Bound printUnknownCooper Hewitt, Smithsonian Design Museum

0.83

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Made in the nineteenth century, like The Dandies Coat of Arms.

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