Zéphir — George Cruikshank, 1817–19

Zéphir, George Cruikshank

Seen

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Dancing, Caricature, Ballet

Means

No reading yet.

Rights

Credit: Bequest of Sallie Blumenthal, 2015
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 699791 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/699791

Also by George Cruikshank

2

An Exquisite, George Cruikshank — An ExquisiteGeorge Cruikshankca. 1817Metropolitan Museum of Art, New York, NY

The Dandies Coat of Arms, George Cruikshank — The Dandies Coat of ArmsGeorge CruikshankMarch 28, 1819Metropolitan Museum of Art, New York, NY

Within fifty years of 1817–19

3242

Album of Sketches, Yūkakudō 幽覚堂 — Album of SketchesYūkakudō 幽覚堂late 18th century (?)Metropolitan Museum of Art, New York, NY

Righteousness, from The Five Virtues, Suzuki Harunobu (Japanese, 1724–1770) — Righteousness, from The Five VirtuesSuzuki Harunobu (Japanese, 1724–1770)1767Cleveland Museum of Art

Designs for the Letter A, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter AJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letter C, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter CJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letter D, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter DJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letter B, Jean Baptiste Piauger, French, active 1760s — Designs for the Letter BJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letters E and F, Jean Baptiste Piauger, French, active 1760s — Designs for the Letters E and FJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Designs for the Letters G and H, Jean Baptiste Piauger, French, active 1760s — Designs for the Letters G and HJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

554

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

4 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Be Careful with that Step!, Francisco José de Goya y Lucientes — Be Careful with that Step!Francisco José de Goya y Lucientes1816/1820The Art Institute of Chicago

0.88

A Ballet Dancer, Mademoiselle Leclerc, Louis Carrogis, called Carmontelle, France, 1717 – 1806 — A Ballet Dancer, Mademoiselle LeclercLouis Carrogis, called Carmontelle, France, 1717 – 1806ca. 1766Cooper Hewitt, Smithsonian Design Museum

0.87

Dancer with a Fan, Edgar Degas — Dancer with a FanEdgar Degasca. 1880Metropolitan Museum of Art, New York, NY

0.84

Bound print, Unknown — Bound printUnknownCooper Hewitt, Smithsonian Design Museum

0.83

Next

Made in the nineteenth century, like Zéphir.

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