Samson and Delilah, Lucas van Leyden

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Holder's headings
Soldiers, Weapons, Women, Samson, Death

Means

No reading yet.

Rights

Credit
Harris Brisbane Dick Fund, 1924
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 364686 (read 2026-09-16)
Record
https://www.metmuseum.org/art/collection/search/364686
Samson and Delilah, Lucas van Leyden
Samson and Delilah — Lucas van Leydenca. 1507

Also by Lucas van Leyden

1
Samson and Delilah, Lucas van Leyden
Samson and DelilahLucas van Leydenca. 1514Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1507

363
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto), Coëtivy Master (French)
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)Coëtivy Master (French)c. 1460Cleveland Museum of Art
Pietà, Unknown
PietàUnknownc. 1460Cleveland Museum of Art
Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)Unknownc. 1460–1500Cleveland Museum of Art
Cassone with painted front panel depicting the Conquest of Trebizond, Apollonio di Giovanni di Tomaso
Cassone with painted front panel depicting the Conquest of TrebizondApollonio di Giovanni di Tomasoafter ca. 1461Metropolitan Museum of Art, New York, NY
[Printed vellum page from the first book printed in small type. 1459], Unknown
[Printed vellum page from the first book printed in small type. 1459]Unknown1459.Library of Congress
Bifolio from a Book of Hours: Initial V with Floral Border (recto), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto)Unknownc. 1460–1500Cleveland Museum of Art
The Prophet Amos, Baccio Baldini
The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago
Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80)
Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

697
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Samson and Delilah, Hans Burgkmair (German, 1473–1531)
Samson and DelilahHans Burgkmair (German, 1473–1531)1519Cleveland Museum of Art
0.91
Ornamental Design, Johann Ladenspelder, German, 1515 - ca. 1580
Ornamental DesignJohann Ladenspelder, German, 1515 - ca. 1580ca. 1550Cooper Hewitt, Smithsonian Design Museum
0.91
The Flight into Egypt, Albrecht Dürer (German, 1471–1528)
The Flight into EgyptAlbrecht Dürer (German, 1471–1528)c. 1503–5Cleveland Museum of Art
0.91
Samson and Delilah, Lucas van Leyden
Samson and DelilahLucas van Leydenca. 1514Metropolitan Museum of Art, New York, NY
0.90
Design for Illuminated Initial "F", Gilles-Marie Oppenord, French, 1672–1742
Design for Illuminated Initial "F"Gilles-Marie Oppenord, French, 1672–1742ca. 1695Cooper Hewitt, Smithsonian Design Museum
0.90
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650ca. 1650Cooper Hewitt, Smithsonian Design Museum
0.90
The Fall of the Giants, Salvator Rosa
The Fall of the GiantsSalvator Rosa1663The Art Institute of Chicago
0.89
Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome, Szymon Czechowicz, Polish, 1689 - 1775
Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, RomeSzymon Czechowicz, Polish, 1689 - 17751724–1725Cooper Hewitt, Smithsonian Design Museum
0.89

Next

Made in the sixteenth century, like Samson and Delilah.

0:00–0:00