medium

red chalk

107 works · 1472 to 1889 · aat:300080064

20 of 442 ids checked against the materials Wikidata records named a different concept (4.5%), read 2026-09-08

red chalk: Cooper Hewitt, Smithsonian Design Museum, The Art Institute of Chicago, Cleveland Museum of Art, Metropolitan Museum of Art, New York, NY and National Gallery of Art107 as in Red chalk on paper, Red chalk on cream laid paper, Red chalk on ivory laid paper, red chalk over black chalk or charcoal and 39 more
Getty: red chalkArt & Architecture Thesaurus 300080064

Two Putti with Lamb, School of Leonardo da Vinci — Two Putti with LambSchool of Leonardo da Vincin.d.The Art Institute of Chicago

Joanna of Aragon, Raphael — Joanna of AragonRaphaeln.d.The Art Institute of Chicago

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci — The Head of the Virgin in Three-Quarter View Facing RightLeonardo da Vinci1510–13Metropolitan Museum of Art, New York, NY

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), Michelangelo Buonarroti (Italian, 1475–1564) — Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti (Italian, 1475–1564)1510–11Cleveland Museum of Art

Study for the Nude Youth over the Prophet Daniel (recto), Michelangelo Buonarroti (Italian, 1475–1564) — Study for the Nude Youth over the Prophet Daniel (recto)Michelangelo Buonarroti (Italian, 1475–1564)1510–1511Cleveland Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti — Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)Michelangelo Buonarrotica. 1510–11Metropolitan Museum of Art, New York, NY

Seated Male Nude, Baccio Bandinelli (Italian, 1493–1560) — Seated Male NudeBaccio Bandinelli (Italian, 1493–1560)c. 1516–20Cleveland Museum of Art

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Tribute Money, after Sir Peter Paul Rubens — Tribute Moneyafter Sir Peter Paul RubensNational Gallery of Art

Seated Male Nude, Michelangelo Buonarroti — Seated Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch, Giovanni de' Vecchi — Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian EunuchGiovanni de' Vecchica. 1600Metropolitan Museum of Art, New York, NY

Two Men Tying a Bundle (recto), Anonymous — Two Men Tying a Bundle (recto)Anonymous1600sCleveland Museum of Art

Figure Crowned by Angel with Putti, Unknown — Figure Crowned by Angel with PuttiUnknown1600–1800Cooper Hewitt, Smithsonian Design Museum

A Grotesque Beast, Unknown — A Grotesque BeastUnknownca. 1600Cooper Hewitt, Smithsonian Design Museum

Project for the Coat of Arms of a Prelate, Unknown — Project for the Coat of Arms of a PrelateUnknownca. 1630Cooper Hewitt, Smithsonian Design Museum

The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn) — The Last Supper, after Leonardo da VinciRembrandt (Rembrandt van Rijn)1634–35Metropolitan Museum of Art, New York, NY

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens (Flemish, 1577–1640) — The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)Peter Paul Rubens (Flemish, 1577–1640)c. 1637–38Cleveland Museum of Art

The Feast of Herod (recto), Peter Paul Rubens (Flemish, 1577–1640) — The Feast of Herod (recto)Peter Paul Rubens (Flemish, 1577–1640)c. 1637–38Cleveland Museum of Art

The Immaculate Conception, Jusepe de Ribera, Spanish, active Italy, 1591 – 1652 — The Immaculate ConceptionJusepe de Ribera, Spanish, active Italy, 1591 – 1652ca. 1640Cooper Hewitt, Smithsonian Design Museum

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650About 1640Cooper Hewitt, Smithsonian Design Museum

Cleobolus, Claude Vignon, French, 1593–1670 — CleobolusClaude Vignon, French, 1593–1670ca. 1650Cooper Hewitt, Smithsonian Design Museum

Psyche Presenting the Phial of Water to Venus, Raphael — Psyche Presenting the Phial of Water to VenusRaphael18th centuryThe Art Institute of Chicago

Conversion of Saint Paul, Raphael — Conversion of Saint PaulRaphael18th centuryThe Art Institute of Chicago

Allegory of Sea Trade, Raphael — Allegory of Sea TradeRaphael18th centuryThe Art Institute of Chicago

Figural Studies, Gaspar van Wittel, Flemish, 1652 - 1736 — Figural StudiesGaspar van Wittel, Flemish, 1652 - 17361710–1730Cooper Hewitt, Smithsonian Design Museum

Design for Architectural Motif, Gilles-Marie Oppenord, French, 1672–1742 — Design for Architectural MotifGilles-Marie Oppenord, French, 1672–1742ca. 1710Cooper Hewitt, Smithsonian Design Museum

Moses, Michelangelo Buonarroti — MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago

Drawing, Johann Melchior Füssli, Swiss, 1677–1736 — DrawingJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum

Head of Comity, Raphael — Head of ComityRaphaelc. 1750The Art Institute of Chicago

The Head of a Young Man Looking Upwards to the Right, Giovanni Battista Tiepolo (Italian, 1696–1770) — The Head of a Young Man Looking Upwards to the RightGiovanni Battista Tiepolo (Italian, 1696–1770)before 1752Cleveland Museum of Art

Head of a Nun, Alessandro Marchesini, Italian, 1663–1738 — Head of a NunAlessandro Marchesini, Italian, 1663–17381750–1800Cooper Hewitt, Smithsonian Design Museum

The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album "Drawings after Sculpture", Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album "Drawings after Sculpture"Jean-Robert Ango, French, active in Rome 1759 –1770, d. 17731759–72Cooper Hewitt, Smithsonian Design Museum

Urn and pitcher, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Urn and pitcherJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Drawings after Ornament and Architecture, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Drawings after Ornament and ArchitectureJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773after 1759Cooper Hewitt, Smithsonian Design Museum

Minerva Giustiniani, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Minerva GiustinianiJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Winged female figure with decorative scroll, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Winged female figure with decorative scrollJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Tomb of Ferdinand van den Eynde in S. Maria dell'Anima, Rome, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Tomb of Ferdinand van den Eynde in S. Maria dell'Anima, RomeJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Ignatius Loyola from St. Peter's colonnade, Giovanni Maria de Rossi — St. Ignatius Loyola from St. Peter's colonnadeGiovanni Maria de Rossica. 1759–70Cooper Hewitt, Smithsonian Design Museum

Angel in the Church of the Gesù, Francesco Maratti — Angel in the Church of the GesùFrancesco Marattica. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Francis from façade of S. Silvestro in Capite, Vincenzo Felice — St. Francis from façade of S. Silvestro in CapiteVincenzo Feliceca. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Stephen from façade of S. Silvestro in Capite, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — St. Stephen from façade of S. Silvestro in CapiteJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Nicholas of Bari from colonnade of St. Peter's, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — St. Nicholas of Bari from colonnade of St. Peter'sJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Standing figures with an arch and crown, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Standing figures with an arch and crownJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Julian of Antinoe from St. Peter's colonnade, Antonio Gabbani — St. Julian of Antinoe from St. Peter's colonnadeAntonio Gabbanica. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Clare on façade of S. Silvestro in Capite, Giuseppe Mazzoni — St. Clare on façade of S. Silvestro in CapiteGiuseppe Mazzonica. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Balbina from St. Peter's colonnade, Giovanni Maria de Rossi — St. Balbina from St. Peter's colonnadeGiovanni Maria de Rossica. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Bernard from St. Peter's colonnade, Lazzaro Morelli — St. Bernard from St. Peter's colonnadeLazzaro Morellica. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. John from St. John Lateran's Basilica, Camillo Rusconi — St. John from St. John Lateran's BasilicaCamillo Rusconica. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Francis Borgia (de Borja) from St. Peter's colonnade, Vincenzo Mariotti — St. Francis Borgia (de Borja) from St. Peter's colonnadeVincenzo Mariottica. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Nicholas of Tolentino from St. Peter's colonnade, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — St. Nicholas of Tolentino from St. Peter's colonnadeJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Lucy from St. Peter's colonnade, Giovanni Maria de Rossi — St. Lucy from St. Peter's colonnadeGiovanni Maria de Rossica. 1759–70Cooper Hewitt, Smithsonian Design Museum

Memorial to Sister Maria Raggi in S. Maria sopra Minerva, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Memorial to Sister Maria Raggi in S. Maria sopra MinervaJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Mary of Egypt from St. Peter's colonnade, Lazzaro Morelli — St. Mary of Egypt from St. Peter's colonnadeLazzaro Morellica. 1759–70Cooper Hewitt, Smithsonian Design Museum

St. Francis de Sales from St. Peter's colonnade, Paolo Reggiani — St. Francis de Sales from St. Peter's colonnadePaolo Reggianica. 1759–70Cooper Hewitt, Smithsonian Design Museum

Hope from the loggia at St. Peter's, Giuseppe Lironi — Hope from the loggia at St. Peter'sGiuseppe Lironica. 1759–70Cooper Hewitt, Smithsonian Design Museum

A Stucco Angel from the Nave Vault, Church of the Gesu, Rome," from the album "Drawings after Ornament and Architecture", Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — A Stucco Angel from the Nave Vault, Church of the Gesu, Rome," from the album "Drawings after Ornament and Architecture"Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Male figure in Renaissance dress, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Male figure in Renaissance dressJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Two figures, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Two figuresJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Seated figure with tablet, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Seated figure with tabletJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Three urns, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Three urnsJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Seated allegorical figure, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Seated allegorical figureJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Study of corbels, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Study of corbelsJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Winged figure praying, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Winged figure prayingJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Study of balusters and sculptural motifs, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Study of balusters and sculptural motifsJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Urn and leaf-like ornament, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Urn and leaf-like ornamentJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Three putti, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Three puttiJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Candelabras, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — CandelabrasJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Ornamental detail with botanical motifs, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Ornamental detail with botanical motifsJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Renaissance facade, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Renaissance facadeJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Two putti, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Two puttiJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Study of balusters, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Study of balustersJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Study for panel of the Tribune, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Study for panel of the TribuneJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Ascending male figure, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Ascending male figureJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Study of candelabras, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Study of candelabrasJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Monstrance, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — MonstranceJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Study of candelabras, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Study of candelabrasJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Running female figure, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Running female figureJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Robed figure with whip, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Robed figure with whipJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Three urns, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Three urnsJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Monstrance, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — MonstranceJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Ornamental detail with winged figure and vase, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Ornamental detail with winged figure and vaseJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Two urns and an ornamental detail, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Two urns and an ornamental detailJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

Renaissance architectural detail, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Renaissance architectural detailJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

The Stalled Cart, Jean Honoré Fragonard — The Stalled CartJean Honoré Fragonard1759The Art Institute of Chicago

Frame with Blank Oval, and Elaborate Foliage Scroll Decoration, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango), Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Frame with Blank Oval, and Elaborate Foliage Scroll Decoration, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango)Jean-Robert Ango, French, active in Rome 1759 –1770, d. 17731760–69Cooper Hewitt, Smithsonian Design Museum

Brackets and a Column Capital with Eagles, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango), Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Brackets and a Column Capital with Eagles, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango)Jean-Robert Ango, French, active in Rome 1759 –1770, d. 17731760–69Cooper Hewitt, Smithsonian Design Museum

A Vase, and a Lamp on a Stand, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango), Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — A Vase, and a Lamp on a Stand, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango)Jean-Robert Ango, French, active in Rome 1759 –1770, d. 17731760–69Cooper Hewitt, Smithsonian Design Museum

Arbor with Two Children (Le Nid d'Armour), Jean Honoré Fragonard — Arbor with Two Children (Le Nid d'Armour)Jean Honoré Fragonard1760The Art Institute of Chicago

Design for a Decorative Panel (with Nymphs and Garlands), Gilles Paul Cauvet, French, 1731–1788 — Design for a Decorative Panel (with Nymphs and Garlands)Gilles Paul Cauvet, French, 1731–1788ca. 1775Cooper Hewitt, Smithsonian Design Museum

Design for a Decorative Panel (with Nymphs and Garlands), Gilles Paul Cauvet, French, 1731–1788 — Design for a Decorative Panel (with Nymphs and Garlands)Gilles Paul Cauvet, French, 1731–1788ca. 1775Cooper Hewitt, Smithsonian Design Museum

Kneeling Woman, Unknown — Kneeling WomanUnknown1775–1800Cooper Hewitt, Smithsonian Design Museum

Design for a painted frieze, Unknown — Design for a painted friezeUnknown1775-1800Cooper Hewitt, Smithsonian Design Museum

Study of Flower Boughs for Woven Textile, Jean-Baptiste Pillement, French, 1728–1808 — Study of Flower Boughs for Woven TextileJean-Baptiste Pillement, French, 1728–1808ca. 1780Cooper Hewitt, Smithsonian Design Museum

Textile Design: A Butterfly, Unknown — Textile Design: A ButterflyUnknown1800–30Cooper Hewitt, Smithsonian Design Museum

Textile Design: A Grasshopper, Unknown — Textile Design: A GrasshopperUnknown1800–30Cooper Hewitt, Smithsonian Design Museum

St. (Jerome?) in Ecstasy, Unknown — St. (Jerome?) in EcstasyUnknown1816Cooper Hewitt, Smithsonian Design Museum

And the rest

11

A Chapel; Elevation and Floor PlanFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum
Crouching WomanEugène Delacroix1827The Art Institute of Chicago
Head of a WomanSir Edward Burne-Jones, English, 1833–18981870–90Cooper Hewitt, Smithsonian Design Museum
The Coral NecklaceFrederick Sandys (British, 1829–1904)1871Cleveland Museum of Art
Peasant Girl with DogPierre-Auguste Renoir (French, 1841–1919)c. 1894Cleveland Museum of Art
Dead ChristAngelo Solimena, Italian, ca. 1630-171617th–early 18th centuryCooper Hewitt, Smithsonian Design Museum
Study of Child's HeadUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
Classical FiguresUnknown18th centuryCooper Hewitt, Smithsonian Design Museum
Sketches of a Woman Artist with Various PuttiSimone Cantarini, Italian, 1612 - 164817th centuryCooper Hewitt, Smithsonian Design Museum
Design for Frieze or Relief with Various AllegoriesUnknown17th centuryCooper Hewitt, Smithsonian Design Museum
Study of Angel with VaseUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

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