Statuette of the Three Graces, William Henry Fox Talbot

Seen

Not described yet.


Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Sculpture, Female Nudes

Means

No reading yet.


Rights

Credit
Bequest of Maurice B. Sendak, 2012
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 306345 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/306345
Statuette of the Three Graces, William Henry Fox Talbot
Statuette of the Three Graces — William Henry Fox Talbot1840s

Also by William Henry Fox Talbot

17
Botanical Specimen, William Henry Fox Talbot
Botanical SpecimenWilliam Henry Fox Talbotc. 1835The Art Institute of Chicago
Two Scraps of Lace, William Henry Fox Talbot
Two Scraps of LaceWilliam Henry Fox Talbotc. 1838/42The Art Institute of Chicago
[The Oriel Window, South Gallery, Lacock Abbey], William Henry Fox Talbot
[The Oriel Window, South Gallery, Lacock Abbey]William Henry Fox Talbotprobably 1835Metropolitan Museum of Art, New York, NY
Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia), William Henry Fox Talbot
Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia)William Henry Fox Talbotc. 1842The Art Institute of Chicago
The Chess Players, William Henry Fox Talbot
The Chess PlayersWilliam Henry Fox Talbotc. 1843/47The Art Institute of Chicago
Two Plant Specimens, William Henry Fox Talbot
Two Plant SpecimensWilliam Henry Fox Talbot1839The Art Institute of Chicago
Wrack, William Henry Fox Talbot
WrackWilliam Henry Fox Talbot1839Metropolitan Museum of Art, New York, NY
A Bush of Hydrangea in Flower, William Henry Fox Talbot
A Bush of Hydrangea in FlowerWilliam Henry Fox Talbotca. 1842Metropolitan Museum of Art, New York, NY

Within fifty years of 1840s

3912
Le Triomphe de l'Hyménée (Furnishing Fabric), Favre-Petitpierre et Cie.
Le Triomphe de l'Hyménée (Furnishing Fabric)Favre-Petitpierre et Cie.c. 1795The Art Institute of Chicago
God Judging Adam, William Blake
God Judging AdamWilliam Blakeca. 1795Metropolitan Museum of Art, New York, NY
Book Cover, Jeremiah Draper, American, active 1800s
Book CoverJeremiah Draper, American, active 1800s1790–1800Cooper Hewitt, Smithsonian Design Museum
Head of Apollo, Giuseppe Longhi, Italian, 1766–1831
Head of ApolloGiuseppe Longhi, Italian, 1766–18311790–1830Cooper Hewitt, Smithsonian Design Museum
The Elevatino of a Gateway for A Prison Erected by Pope Pius VI, Giuseppe Barberi, Italian, 1746–1809
The Elevatino of a Gateway for A Prison Erected by Pope Pius VIGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
Sketches for a Gateway for a Prison Erected by Pope Pius VI, Giuseppe Barberi, Italian, 1746–1809
Sketches for a Gateway for a Prison Erected by Pope Pius VIGiuseppe Barberi, Italian, 1746–1809ca. 1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1790Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

485
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

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