Wrack — William Henry Fox Talbot, 1839

Wrack, William Henry Fox Talbot

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Science, Plants
Wikidata depicts: science, plant, leaf

Means

No reading yet.

Rights

Credit: Harris Brisbane Dick Fund, 1936
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 282756 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/282756

Also by William Henry Fox Talbot

17

Botanical Specimen, William Henry Fox Talbot — Botanical SpecimenWilliam Henry Fox Talbotc. 1835The Art Institute of Chicago

Two Scraps of Lace, William Henry Fox Talbot — Two Scraps of LaceWilliam Henry Fox Talbotc. 1838/42The Art Institute of Chicago

[The Oriel Window, South Gallery, Lacock Abbey], William Henry Fox Talbot — [The Oriel Window, South Gallery, Lacock Abbey]William Henry Fox Talbotprobably 1835Metropolitan Museum of Art, New York, NY

Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia), William Henry Fox Talbot — Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia)William Henry Fox Talbotc. 1842The Art Institute of Chicago

The Chess Players, William Henry Fox Talbot — The Chess PlayersWilliam Henry Fox Talbotc. 1843/47The Art Institute of Chicago

Two Plant Specimens, William Henry Fox Talbot — Two Plant SpecimensWilliam Henry Fox Talbot1839The Art Institute of Chicago

A Bush of Hydrangea in Flower, William Henry Fox Talbot — A Bush of Hydrangea in FlowerWilliam Henry Fox Talbotca. 1842Metropolitan Museum of Art, New York, NY

Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist's Pencil, William Henry Fox Talbot — Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist's PencilWilliam Henry Fox TalbotRead before the Royal Society, January 31, 1839The Art Institute of Chicago

Within fifty years of 1839

3781

Songs of Experience: The School Boy, William Blake — Songs of Experience: The School BoyWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY

Songs of Experience: The Little Girl Found (second plate), William Blake — Songs of Experience: The Little Girl Found (second plate)William Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY

Songs of Experience: The Little Girl Lost, William Blake — Songs of Experience: The Little Girl LostWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY

Songs of Experience: The Little Girl Lost (second plate); The Little Girl Found, William Blake — Songs of Experience: The Little Girl Lost (second plate); The Little Girl FoundWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY

Textile, Jean-Baptiste Huet, French, 1745 – 1811 — TextileJean-Baptiste Huet, French, 1745 – 18111789–1791Cooper Hewitt, Smithsonian Design Museum

Design for a Pavillion, Giuseppe Barberi, Italian, 1746–1809 — Design for a PavillionGiuseppe Barberi, Italian, 1746–18091789Cooper Hewitt, Smithsonian Design Museum

Design for a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809 — Design for a KaffeehausGiuseppe Barberi, Italian, 1746–18091789Cooper Hewitt, Smithsonian Design Museum

Coat of arms of Cardinal Vincenzo Maria Altieri, Giuseppe Barberi, Italian, 1746–1809 — Coat of arms of Cardinal Vincenzo Maria AltieriGiuseppe Barberi, Italian, 1746–18091789–1793Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

486

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.86

Design for Embroidery Pattern, Unknown — Design for Embroidery PatternUnknownbefore 1916Cooper Hewitt, Smithsonian Design Museum

0.85

Ornamental Trophy Design, Pierre Ranson, French, 1736–1786 — Ornamental Trophy DesignPierre Ranson, French, 1736–17861759–80Cooper Hewitt, Smithsonian Design Museum

0.85

Floral field and border, Unknown — Floral field and borderUnknown1780–1815Cooper Hewitt, Smithsonian Design Museum

0.85

Ornamental Trophy Design, Pierre Ranson, French, 1736–1786 — Ornamental Trophy DesignPierre Ranson, French, 1736–17861759–80Cooper Hewitt, Smithsonian Design Museum

0.85

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.85

Designs for embroidery, Unknown — Designs for embroideryUnknownca. 1890Cooper Hewitt, Smithsonian Design Museum

0.84

Ornamental Trophy Design, Pierre Ranson, French, 1736–1786 — Ornamental Trophy DesignPierre Ranson, French, 1736–17861759–80Cooper Hewitt, Smithsonian Design Museum

0.84

Next

William Henry Fox Talbot made Wrack, and made these too.

Made in the nineteenth century, like Wrack.

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