[The Oriel Window, South Gallery, Lacock Abbey] — William Henry Fox Talbot, probably 1835

[The Oriel Window, South Gallery, Lacock Abbey], William Henry Fox Talbot

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Windows
Wikidata depicts: window

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Rights

Credit: The Rubel Collection, Purchase, Ann Tenenbaum and Thomas H. Lee and Anonymous Gifts, 1997
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 282004 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/282004

Also by William Henry Fox Talbot

17

Botanical Specimen, William Henry Fox Talbot — Botanical SpecimenWilliam Henry Fox Talbotc. 1835The Art Institute of Chicago

Two Scraps of Lace, William Henry Fox Talbot — Two Scraps of LaceWilliam Henry Fox Talbotc. 1838/42The Art Institute of Chicago

Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia), William Henry Fox Talbot — Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia)William Henry Fox Talbotc. 1842The Art Institute of Chicago

The Chess Players, William Henry Fox Talbot — The Chess PlayersWilliam Henry Fox Talbotc. 1843/47The Art Institute of Chicago

Two Plant Specimens, William Henry Fox Talbot — Two Plant SpecimensWilliam Henry Fox Talbot1839The Art Institute of Chicago

Wrack, William Henry Fox Talbot — WrackWilliam Henry Fox Talbot1839Metropolitan Museum of Art, New York, NY

A Bush of Hydrangea in Flower, William Henry Fox Talbot — A Bush of Hydrangea in FlowerWilliam Henry Fox Talbotca. 1842Metropolitan Museum of Art, New York, NY

Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist's Pencil, William Henry Fox Talbot — Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist's PencilWilliam Henry Fox TalbotRead before the Royal Society, January 31, 1839The Art Institute of Chicago

Within fifty years of probably 1835

3759

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Four Designs of Costume Accessories, Anonymous, French, 18th century — Four Designs of Costume AccessoriesAnonymous, French, 18th centuryca. 1785–90Metropolitan Museum of Art, New York, NY

Design for the Embroidery of a Man's Waistcoat of Pattern No. 504 of the "Fabrique de St. Ruf", Fabrique de Saint Ruf, Lyon, France — Design for the Embroidery of a Man's Waistcoat of Pattern No. 504 of the "Fabrique de St. Ruf"Fabrique de Saint Ruf, Lyon, Franceca. 1785Cooper Hewitt, Smithsonian Design Museum

Part of Sheet 5 of a Drawing Book, Masks and Part of a Trophy, Carlo Maria Giudici, Italian, 1723 - 1804 — Part of Sheet 5 of a Drawing Book, Masks and Part of a TrophyCarlo Maria Giudici, Italian, 1723 - 1804ca. 1785Cooper Hewitt, Smithsonian Design Museum

Porte d'Appartement, Richard de Lalonde, French, active 1780–96 — Porte d'AppartementRichard de Lalonde, French, active 1780–961785-1788Cooper Hewitt, Smithsonian Design Museum

Bulb Pot, Wedgwood Manufactory — Bulb PotWedgwood Manufactoryc. 1790The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

494

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Study of coastline, Capri, Italy, William Stanley Haseltine, American, 1835–1900 — Study of coastline, Capri, ItalyWilliam Stanley Haseltine, American, 1835–1900ca. 1855Cooper Hewitt, Smithsonian Design Museum

0.87

Study of landscape, Lake Maggiore, Italy, William Stanley Haseltine, American, 1835–1900 — Study of landscape, Lake Maggiore, ItalyWilliam Stanley Haseltine, American, 1835–19001857Cooper Hewitt, Smithsonian Design Museum

0.87

Sidewall, Unknown — SidewallUnknown1875–1900Cooper Hewitt, Smithsonian Design Museum

0.87

Textile, Unknown — TextileUnknown19th centuryCooper Hewitt, Smithsonian Design Museum

0.86

Paper Sample, Unknown — Paper SampleUnknown19th centuryCooper Hewitt, Smithsonian Design Museum

0.86

Textile, Herman A. Elsberg, American, 1869–1938 — TextileHerman A. Elsberg, American, 1869–1938ca. 1915Cooper Hewitt, Smithsonian Design Museum

0.86

Sidewall, Unknown — SidewallUnknown1875–1900Cooper Hewitt, Smithsonian Design Museum

0.86

Plusieurs Pieces et Ornements Darquebuzerie Les plus en Usage tire des Ouvrages de Laurent le Languedoc Arquebuziers Du Roy et Dautres Ornement Inventé et gravé Par Simonin, Laurent Le Languedoc, French, active ca. 1684 – 1705 — Plusieurs Pieces et Ornements Darquebuzerie Les plus en Usage tire des Ouvrages de Laurent le Languedoc Arquebuziers Du Roy et Dautres Ornement Inventé et gravé Par SimoninLaurent Le Languedoc, French, active ca. 1684 – 17051705Cooper Hewitt, Smithsonian Design Museum

0.85

Next

William Henry Fox Talbot made [The Oriel Window, South Gallery, Lacock Abbey], and made these too.

Made in the nineteenth century, like [The Oriel Window, South Gallery, Lacock Abbey].

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