Close [Regiments - unidentified]. Brady album, p. 156 — Unknown 1861–65
Also by Unknown 5442 Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Relief of Nyankhnesut Seated Unknownc. 2311–2281 BCE Cleveland Museum of Art Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY
Within fifty years of 1861–65 3128 God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E) Goya (Francisco de Goya y Lucientes)ca. 1816–20 Metropolitan Museum of Art, New York, NY Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural Details Felice Giani, Italian, 1758–18231811–14 Cooper Hewitt, Smithsonian Design Museum Sketchbook Page: Three Landscapes after Vincenzo Martinelli. Verso: Architectural Sketch Felice Giani, Italian, 1758–18231811–14 Cooper Hewitt, Smithsonian Design Museum Four Studies of Works by Perugino and Francia Felice Giani, Italian, 1758–18231811–14 Cooper Hewitt, Smithsonian Design Museum Sketchbook Page: Study of Reno, Bologna; Verso: Architectural Details Felice Giani, Italian, 1758–18231811–14 Cooper Hewitt, Smithsonian Design Museum Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural Detail Felice Giani, Italian, 1758–18231811–14 Cooper Hewitt, Smithsonian Design Museum Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of Glossatori Felice Giani, Italian, 1758–18231811–14 Cooper Hewitt, Smithsonian Design Museum Sketchbook Page: Six Scenes; Verso: Five Studies of Horse Heads; Head of Lion Felice Giani, Italian, 1758–18231811–14 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 361 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Terracotta aryballos (oil flask) Nearchosca. 570 BCE Metropolitan Museum of Art, New York, NY Terracotta psykter (vase for cooling wine) Oltosca. 520–510 BCE Metropolitan Museum of Art, New York, NY Terracotta amphora (jar) Berlin Painterca. 490 BCE Metropolitan Museum of Art, New York, NY Terracotta kylix (drinking cup) Hieronca. 480 BCE Metropolitan Museum of Art, New York, NY Terracotta lekythos (oil flask) Achilles Painterca. 440 BCE Metropolitan Museum of Art, New York, NY Mask Condorhuasi-Alamito artist(s)400 BCE–700 CE Metropolitan Museum of Art, New York, NY Mask Condorhuasi-Alamito artist(s)400 BCE–500 CE Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Made in the nineteenth century, like [Regiments - unidentified]. Brady album, p. 156.
![[Regiments - unidentified]. Brady album, p. 156, Unknown](https://library.wrkhrs.co/artwork/met-267984.jpg)
![Fort Brady [i.e. Fort Carroll], Russell, Andrew J., photographer](https://library.wrkhrs.co/artwork/loc-2014646401.jpg)