Gathering Shellfish at Low Tide at Susaki, from Famous Places in Edo — Utagawa Hiroshige (Japanese, 1797–1858), mid-1830s

Gathering Shellfish at Low Tide at Susaki, from Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858)

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: The Kelvin Smith Collection, given by Mrs. Kelvin Smith
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 152493 (read 2026-08-27)
Record: https://clevelandart.org/art/1985.315

Also by Utagawa Hiroshige (Japanese, 1797–1858)

10

Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō, Utagawa Hiroshige (Japanese, 1797–1858) — Driving Rain at Shōno, from Fifty-Three Stations of the TokaidōUtagawa Hiroshige (Japanese, 1797–1858)1833Cleveland Museum of Art

Night Rain at Karasaki, from Eight Views of Ōmi, Utagawa Hiroshige (Japanese, 1797–1858) — Night Rain at Karasaki, from Eight Views of ŌmiUtagawa Hiroshige (Japanese, 1797–1858)c. 1835Cleveland Museum of Art

Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, Utagawa Hiroshige (Japanese, 1797–1858) — Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige (Japanese, 1797–1858)c. 1848–50Cleveland Museum of Art

The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858) — The Moon-Viewing Promontory, from One Hundred Views of Famous Places in EdoUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo, Utagawa Hiroshige (Japanese, 1797–1858) — Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of EdoUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Eight Views of Kanazawa at Night, Utagawa Hiroshige (Japanese, 1797–1858) — Eight Views of Kanazawa at NightUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Full Moon on Kanazawa, Musashi, Utagawa Hiroshige (Japanese, 1797–1858) — Full Moon on Kanazawa, MusashiUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Full Moon on Kanazawa, Musashi, Utagawa Hiroshige (Japanese, 1797–1858) — Full Moon on Kanazawa, MusashiUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Within fifty years of mid-1830s

3730

Pathfinder Illustration, Jakob Ernst Marcus — Pathfinder IllustrationJakob Ernst Marcusn.d.The Art Institute of Chicago

Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa Majesté, La Veuve Hérissant — Le calendrier de la cour : tiré des ephémérides, pour l'année bissextile mil sept-cent quatre-vingt-quatre : contenant le lieu du soleil, son lever, son coucher, sa déclinaison: le lever de la lune & son coucher, &c. : avec la naissance des rois, reines, princes & princesses de l'Europe imprimé pour la famille royale et maison de sa MajestéLa Veuve Hérissant1784Metropolitan Museum of Art, New York, NY

Textile, Unknown — TextileUnknownca. 1784Cooper Hewitt, Smithsonian Design Museum

Salesman's sample book, Unknown — Salesman's sample bookUnknown1784Cooper Hewitt, Smithsonian Design Museum

Von den Träumen und Nachtwandlern, Unknown — Von den Träumen und NachtwandlernUnknown1784Stiftung der Werke von C.G.Jung, Zürich, B Qa 1

Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularis, Nieupoort, Guillaume Henri — Ge. Henr. Nievpoort ... Rituum qui olim apud Romanos obtinuerunt succincta explicatio ad intelligentiam veterum auctorum facili methodo conscripta : accedunt ... Ioanne Matthiae Gesneri prolusio. atque Caroli Ferdinandi Hommelii de tribunali praetoris liber singularisNieupoort, Guillaume Henri1784Stiftung der Werke von C.G.Jung, Zürich

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Woodblock, Swaislands Fabric Printing Works — WoodblockSwaislands Fabric Printing Workslate 18th centuryMetropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

465

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

0.91

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.88

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

0.88

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.88

Cherry Blossom Viewing, Ando Hiroshige, Japanese, 1797–1858 — Cherry Blossom ViewingAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.88

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

0.87

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

0.87

Morning Cherries at Yoshiwara, Utagawa Hiroshige — Morning Cherries at YoshiwaraUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

0.87

Next

Utagawa Hiroshige (Japanese, 1797–1858) made Gathering Shellfish at Low Tide at Susaki, from Famous Places in Edo, and made these too.

Made in the nineteenth century, like Gathering Shellfish at Low Tide at Susaki, from Famous Places in Edo.

0:00–0:00