The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo — Utagawa Hiroshige (Japanese, 1797–1858), 1857

The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858)

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Credit: The Kelvin Smith Collection, given by Mrs. Kelvin Smith
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 152499 (read 2026-08-27)
Record: https://clevelandart.org/art/1985.320

Also by Utagawa Hiroshige (Japanese, 1797–1858)

10

Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō, Utagawa Hiroshige (Japanese, 1797–1858) — Driving Rain at Shōno, from Fifty-Three Stations of the TokaidōUtagawa Hiroshige (Japanese, 1797–1858)1833Cleveland Museum of Art

Night Rain at Karasaki, from Eight Views of Ōmi, Utagawa Hiroshige (Japanese, 1797–1858) — Night Rain at Karasaki, from Eight Views of ŌmiUtagawa Hiroshige (Japanese, 1797–1858)c. 1835Cleveland Museum of Art

Gathering Shellfish at Low Tide at Susaki, from Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858) — Gathering Shellfish at Low Tide at Susaki, from Famous Places in EdoUtagawa Hiroshige (Japanese, 1797–1858)mid-1830sCleveland Museum of Art

Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, Utagawa Hiroshige (Japanese, 1797–1858) — Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige (Japanese, 1797–1858)c. 1848–50Cleveland Museum of Art

Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo, Utagawa Hiroshige (Japanese, 1797–1858) — Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of EdoUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Eight Views of Kanazawa at Night, Utagawa Hiroshige (Japanese, 1797–1858) — Eight Views of Kanazawa at NightUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Full Moon on Kanazawa, Musashi, Utagawa Hiroshige (Japanese, 1797–1858) — Full Moon on Kanazawa, MusashiUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Full Moon on Kanazawa, Musashi, Utagawa Hiroshige (Japanese, 1797–1858) — Full Moon on Kanazawa, MusashiUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Within fifty years of 1857

4339

Study for "Napoleon at Eylau", Charles Meynier, 1768 – 1832 — Study for "Napoleon at Eylau"Charles Meynier, 1768 – 1832ca. 1807Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1807Cooper Hewitt, Smithsonian Design Museum

Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836 — Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum

Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836 — Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1808Cooper Hewitt, Smithsonian Design Museum

Punch ladle, S A — Punch ladleS A1808Cooper Hewitt, Smithsonian Design Museum

Textile, Jean-Baptiste Huët, French, 1745–1811 — TextileJean-Baptiste Huët, French, 1745–18111808Cooper Hewitt, Smithsonian Design Museum

Board Room of the Admiralty, from "Ackermann's Repository", Thomas Rowlandson, British, 1756–1827 — Board Room of the Admiralty, from "Ackermann's Repository"Thomas Rowlandson, British, 1756–18271808Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

391

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Cherry Blossom Viewing, Ando Hiroshige, Japanese, 1797–1858 — Cherry Blossom ViewingAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.89

Tsukudajima from Eitai Bridge, from the series One Hundred Views of Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858) — Tsukudajima from Eitai Bridge, from the series One Hundred Views of Famous Places in EdoUtagawa Hiroshige (Japanese, 1797–1858)1858Cleveland Museum of Art

0.88

Castle Moat, Ando Hiroshige, Japanese, 1797–1858 — Castle MoatAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.88

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.87

Yamashita Quarter, Ueno (Ueno Yamashita) From the Series One hundred Views of Edo, Ando Hiroshige, Japanese, 1797–1858 — Yamashita Quarter, Ueno (Ueno Yamashita) From the Series One hundred Views of EdoAndo Hiroshige, Japanese, 1797–18581856Cooper Hewitt, Smithsonian Design Museum

0.87

View of Shiba Coast (Shibaura no fukei) From the Series One Hundred Famous views of Edo, Ando Hiroshige, Japanese, 1797–1858 — View of Shiba Coast (Shibaura no fukei) From the Series One Hundred Famous views of EdoAndo Hiroshige, Japanese, 1797–18581856Cooper Hewitt, Smithsonian Design Museum

0.87

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.87

Fireworks at Ryōgoku, from the series One Hundred Views of Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858) — Fireworks at Ryōgoku, from the series One Hundred Views of Famous Places in EdoUtagawa Hiroshige (Japanese, 1797–1858)1858Cleveland Museum of Art

0.86

Next

Utagawa Hiroshige (Japanese, 1797–1858) made The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, and made these too.

Made in the nineteenth century, like The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo.

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