Date 1832 Medium lithograph Terms lithograph 300041379 Dimensions Sheet: 27 x 35.6 cm (10 5/8 x 14 in.); Image: 23.3 x 29.4 cm (9 3/16 x 11 9/16 in.) Collection Cleveland Museum of Art 1929.874 Getty ids beside the museum's words, by exact match, 2026-09-09
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Close The Nightmare — Honoré Daumier (French, 1808–1879); Aubert 1832
Also by Honoré Daumier (French, 1808–1879); Aubert 2
Within fifty years of 1832 3591 Snuffbox Unknownca. 1785 Metropolitan Museum of Art, New York, NY Title Page and Arabesque Panel Design Jean Démosthène Dugourc, French, 1749–18251782 Cooper Hewitt, Smithsonian Design Museum Design for a Carriage Unknown1782–85 Cooper Hewitt, Smithsonian Design Museum Design for the Embroidery of a Man's Waistcoat Unknown1782 Cooper Hewitt, Smithsonian Design Museum Two Frieze Designs Jean-Baptiste Huet, French, 1745 – 1811ca. 1782 Cooper Hewitt, Smithsonian Design Museum Five Headgears Daniel Nikolaus Chodowiecki, German, 1726 - 1801ca. 1782 Cooper Hewitt, Smithsonian Design Museum Album of Prints: Arabesques by Jean Démosthène Dugourc Jean Démosthène Dugourc, French, 1749–18251782 Cooper Hewitt, Smithsonian Design Museum Dying Epaminondas Johann Gottlieb Prestel after Polidoro da Caravaggio1782 National Gallery of Art
Also at Cleveland Museum of Art 470
Similar picturesFound by visual likeness 8 pictures Other makers onlyVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
Drawing Felice Giani, Italian, 1758–1823About 1801 Cooper Hewitt, Smithsonian Design Museum 0.86 Drawing Felice Giani, Italian, 1758–1823About 1801 (?) Cooper Hewitt, Smithsonian Design Museum 0.86 Drawing Felice Giani, Italian, 1758–1823About 1820 Cooper Hewitt, Smithsonian Design Museum 0.86 Title Page François Boucher, French, 1703–17701749–61 Cooper Hewitt, Smithsonian Design Museum 0.86 Female Nude James Wells Champney, American, 1843–1903ca. 1890 Cooper Hewitt, Smithsonian Design Museum 0.84 In the stacks Not yet checked 1
Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.
The international studio · John Lane
at the Ecole of the water-colors of Gavarni, the sepias of Henri Monnier and the paintings, then quite unknown, of Daumier, it caused a scandal. Fortunately protestation changed into apotheosis and the very dignitaries who had at first objected, won by the sumptuousness of the works, put Daumier into the Louvre. M. Dayot recounts this episode in his preface for the catalogue of the Ville-I’Eveque exhibit, with the hint to the authorities that since 1888 they have gained the reputation for “enlightened eclecticism.” M. Dayot’s opinion of what such an … 0.71 Add a connection Propose a reading
Next Made in the nineteenth century, like The Nightmare.