The Power of Women: Samson and Delilah, Lucas van Leyden (Netherlandish, 1494–about 1533)

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Credit
Gift of the Print Club of Cleveland in memory of Charles T. Brooks
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 114942 (read 2026-08-27)
Record
https://clevelandart.org/art/1935.117
The Power of Women: Samson and Delilah, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Power of Women: Samson and Delilah — Lucas van Leyden (Netherlandish, 1494–about 1533)c. 1512

Also by Lucas van Leyden (Netherlandish, 1494–about 1533)

2
Return of the Prodigal Son, Lucas van Leyden (Netherlandish, 1494–about 1533)
Return of the Prodigal SonLucas van Leyden (Netherlandish, 1494–about 1533)c. 1510Cleveland Museum of Art
The Triumph of Mordecai, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Triumph of MordecaiLucas van Leyden (Netherlandish, 1494–about 1533)1515Cleveland Museum of Art

Within fifty years of c. 1512

374
[Printed vellum page from the first book printed in small type. 1459], Unknown
[Printed vellum page from the first book printed in small type. 1459]Unknown1459.Library of Congress
Bifolio from a Book of Hours: Initial V with Floral Border (recto), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto)Unknownc. 1460–1500Cleveland Museum of Art
The Prophet Amos, Baccio Baldini
The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago
Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80)
Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)Hans Memlingca. 1470Metropolitan Museum of Art, New York, NY
A Bridal Couple, Unknown
A Bridal CoupleUnknownc. 1470Cleveland Museum of Art
The Flight into Egypt, Martin Schongauer (German, c. 1450–1491)
The Flight into EgyptMartin Schongauer (German, c. 1450–1491)1470–74Cleveland Museum of Art
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini)
The Birth of the VirginFra Carnevale (Bartolomeo di Giovanni Corradini)1467Metropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

547
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Samson and Delilah, Lucas van Leyden
Samson and DelilahLucas van Leydenca. 1514Metropolitan Museum of Art, New York, NY
0.95
St John the Baptist in the Wilderness, Jan van der Straet, called Stradanus, Flemish, 1523–1605
St John the Baptist in the WildernessJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1588Cooper Hewitt, Smithsonian Design Museum
0.90
The Passion: The Agony in the Garden, Martin Schongauer (German, c. 1450–1491)
The Passion: The Agony in the GardenMartin Schongauer (German, c. 1450–1491)c. 1480Cleveland Museum of Art
0.90
Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533
Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum
0.89
The Dead Christ with Angels, Édouard Manet (French, 1832–1883)
The Dead Christ with AngelsÉdouard Manet (French, 1832–1883)1866–67Cleveland Museum of Art
0.88
Lamentation over the Body of Christ, Giuseppe Scolari (Italian)
Lamentation over the Body of ChristGiuseppe Scolari (Italian)late 1500s–early 1600sCleveland Museum of Art
0.87
Samson and Delilah, Hans Burgkmair (German, 1473–1531)
Samson and DelilahHans Burgkmair (German, 1473–1531)1519Cleveland Museum of Art
0.87
Lamentation, Claude Mellan
LamentationClaude Mellan1683Metropolitan Museum of Art, New York, NY
0.87

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.71

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Made in the sixteenth century, like The Power of Women: Samson and Delilah.

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