Return of the Prodigal Son, Lucas van Leyden (Netherlandish, 1494–about 1533)

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Rights

Credit
Gift of The Print Club of Cleveland
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 109210 (read 2026-08-27)
Record
https://clevelandart.org/art/1927.361
Return of the Prodigal Son, Lucas van Leyden (Netherlandish, 1494–about 1533)
Return of the Prodigal Son — Lucas van Leyden (Netherlandish, 1494–about 1533)c. 1510

Also by Lucas van Leyden (Netherlandish, 1494–about 1533)

2
The Power of Women: Samson and Delilah, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Power of Women: Samson and DelilahLucas van Leyden (Netherlandish, 1494–about 1533)c. 1512Cleveland Museum of Art
The Triumph of Mordecai, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Triumph of MordecaiLucas van Leyden (Netherlandish, 1494–about 1533)1515Cleveland Museum of Art

Within fifty years of c. 1510

373
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto), Coëtivy Master (French)
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)Coëtivy Master (French)c. 1460Cleveland Museum of Art
Pietà, Unknown
PietàUnknownc. 1460Cleveland Museum of Art
Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)Unknownc. 1460–1500Cleveland Museum of Art
Cassone with painted front panel depicting the Conquest of Trebizond, Apollonio di Giovanni di Tomaso
Cassone with painted front panel depicting the Conquest of TrebizondApollonio di Giovanni di Tomasoafter ca. 1461Metropolitan Museum of Art, New York, NY
[Printed vellum page from the first book printed in small type. 1459], Unknown
[Printed vellum page from the first book printed in small type. 1459]Unknown1459.Library of Congress
Bifolio from a Book of Hours: Initial V with Floral Border (recto), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto)Unknownc. 1460–1500Cleveland Museum of Art
The Prophet Amos, Baccio Baldini
The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago
Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80)
Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art

Also at Cleveland Museum of Art

544
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Joseph Sold by his Brothers, Master of the Die
Joseph Sold by his BrothersMaster of the Die1533The Art Institute of Chicago
0.91
The Triumph of Mordecai, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Triumph of MordecaiLucas van Leyden (Netherlandish, 1494–about 1533)1515Cleveland Museum of Art
0.91
Noah's Ark, Jan Sadeler, the Elder, ca. 1550 – 1600
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0.90
The Destruction of Bel and his Temple, Martin Van Heemskerk, Netherlandish, 1498 - 1574
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0.90
Ammon Begs the King to Summon his Sister Thamar, Martin Van Heemskerk, Netherlandish, 1498 - 1574
Ammon Begs the King to Summon his Sister ThamarMartin Van Heemskerk, Netherlandish, 1498 - 15741559Cooper Hewitt, Smithsonian Design Museum
0.89
The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV., Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623.
The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV.Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623.1605.Library of Congress
0.89
[Adoration of the Magi] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist
[Adoration of the Magi] / AD [monogram].Dürer, Albrecht, 1471-1528, artist[Nuremberg], [1511]Library of Congress
0.88
The Flight into Egypt, Albrecht Dürer (German, 1471–1528)
The Flight into EgyptAlbrecht Dürer (German, 1471–1528)c. 1503–5Cleveland Museum of Art
0.88

In the stacks

Not yet checked1

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  1. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.71

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Made in the sixteenth century, like Return of the Prodigal Son.

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