Of These are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.
Holder's headings Male Nudes , Adam Wikidata depicts nude , Adam Close Adam — Auguste Rodin modeled 1880 or 1881, cast 1910
Within fifty years of modeled 1880 or 1881, cast 1910 4065 No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)" Utagawa Hiroshigec. 1835/38 The Art Institute of Chicago No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)" Utagawa Hiroshigec. 1835/38 The Art Institute of Chicago Ōmori, from the series Famous Places in the Eastern Capital Utagawa Kuniyoshi (Japanese, 1797–1861)early 1830s Cleveland Museum of Art South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji Katsushika Hokusai (Japanese, 1760–1849)early 1830s Cleveland Museum of Art Trade Card of John Williams, Clothier Unknownca. 1830 Cooper Hewitt, Smithsonian Design Museum Botanical Specimen William Henry Fox Talbotc. 1835 The Art Institute of Chicago Bandbox Unknown1830–40 Cooper Hewitt, Smithsonian Design Museum Pieced Quilt (Honeycomb) Unidentifiedca. 1830 Smithsonian American Art Museum
Also at Metropolitan Museum of Art, New York, NY 517 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY In the stacks Not yet checked 1
Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.
Vision and Design · Roger Fry
Whether the difference between the nineteenth and twentieth centuries will in retrospect seem as great in life as they already do in art I cannot guess--at least it is curious to note how much more conscious we are of the change in art then we are in the general change in thought and feeling. NOTE.--The original lecture was not illustrated, but the opportunity of publishing this summary of it has suggested the possibility of introducing a few examples to illustrate one point, viz., the extent to which the works of … 0.69 Add a connection Propose a reading
Next Made in the nineteenth century, like Adam.
