Furniture Design: Elevation of a Pedestal or Case — Gilles-Marie Oppenord, French, 1672–1742, ca. 1690

Furniture Design: Elevation of a Pedestal or Case, Gilles-Marie Oppenord, French, 1672–1742

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Credit: Purchased for the Museum by the Advisory Council
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1911-28-228 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/18209

Also by Gilles-Marie Oppenord, French, 1672–1742

84

Design for Illuminated Initial "F", Gilles-Marie Oppenord, French, 1672–1742 — Design for Illuminated Initial "F"Gilles-Marie Oppenord, French, 1672–1742ca. 1695Cooper Hewitt, Smithsonian Design Museum

Design for a Cartel Clock, Gilles-Marie Oppenord, French, 1672–1742 — Design for a Cartel ClockGilles-Marie Oppenord, French, 1672–17421700–1715Cooper Hewitt, Smithsonian Design Museum

Design for Architectural Motif, Gilles-Marie Oppenord, French, 1672–1742 — Design for Architectural MotifGilles-Marie Oppenord, French, 1672–1742ca. 1710Cooper Hewitt, Smithsonian Design Museum

Design for the Lower Portion of a Wall Panel, Gilles-Marie Oppenord, French, 1672–1742 — Design for the Lower Portion of a Wall PanelGilles-Marie Oppenord, French, 1672–17421714Cooper Hewitt, Smithsonian Design Museum

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Title Page, Gilles-Marie Oppenord, French, 1672–1742 — Title PageGilles-Marie Oppenord, French, 1672–17421729–61Cooper Hewitt, Smithsonian Design Museum

Within fifty years of ca. 1690

1236

Herman Doomer (ca. 1595–1650), Rembrandt (Rembrandt van Rijn) — Herman Doomer (ca. 1595–1650)Rembrandt (Rembrandt van Rijn)1640Metropolitan Museum of Art, New York, NY

Two Monks in a Landscape, Italian — Two Monks in a LandscapeItalianc. 1645The Art Institute of Chicago

Purse, Unknown — PurseUnknown1640–1700Cooper Hewitt, Smithsonian Design Museum

The Immaculate Conception, Jusepe de Ribera, Spanish, active Italy, 1591 – 1652 — The Immaculate ConceptionJusepe de Ribera, Spanish, active Italy, 1591 – 1652ca. 1640Cooper Hewitt, Smithsonian Design Museum

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650About 1640Cooper Hewitt, Smithsonian Design Museum

Fortitude (?), Giovanni Battista Beinaschi — Fortitude (?)Giovanni Battista Beinaschica. 1640–88Cooper Hewitt, Smithsonian Design Museum

Mount, Unknown — MountUnknownca. 1640Cooper Hewitt, Smithsonian Design Museum

Beauty Holding a Flower, Mughal — Beauty Holding a FlowerMughalMid–17th centuryThe Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

9067

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum

0.91

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231835-1850Cooper Hewitt, Smithsonian Design Museum

0.91

Doorway, Marco Alberoni, Italian, 18th century — DoorwayMarco Alberoni, Italian, 18th centuryca. 1765Cooper Hewitt, Smithsonian Design Museum

0.90

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.90

Ornamental detail with botanical motifs, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Ornamental detail with botanical motifsJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

0.89

Design for a Tomb, Giuseppe Barberi, Italian, 1746–1809 — Design for a TombGiuseppe Barberi, Italian, 1746–1809ca. 1795Cooper Hewitt, Smithsonian Design Museum

0.89

Album page, Unknown — Album pageUnknownCooper Hewitt, Smithsonian Design Museum

0.89

Title Page, Before Lettering, Gilles-Marie Oppenord, French, 1672–1742 — Title Page, Before LetteringGilles-Marie Oppenord, French, 1672–17421749-1761Cooper Hewitt, Smithsonian Design Museum

0.89

Next

Gilles-Marie Oppenord, French, 1672–1742 made Furniture Design: Elevation of a Pedestal or Case, and made these too.

Made in the seventeenth century, like Furniture Design: Elevation of a Pedestal or Case.

Abraham Preparing to Sacrifice Isaac1685
Lamentation1683
Abraham and Isaac1645
The Toilet of Bathsheba1643

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