Textile — Unknown, 1760–70

Textile, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Gift of Elinor Merrell
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1973-62-8 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/151896

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1760–70

2029

Bookcase (one of a pair), Niccolo Michetti — Bookcase (one of a pair)Niccolo Michettica. 1715Metropolitan Museum of Art, New York, NY

Ornemens de peinture et de sculpture, qui sont dans la Galerie d’Apollon, au Chasteau du Louvre, et dans le grand Appartement du Roy, au Palais des Tuilleries. Dessinez et gravez par les Srs. Berain, Chauveau, et le Moine., Jean Bérain the Younger, French, 1674 – 1726 — Ornemens de peinture et de sculpture, qui sont dans la Galerie d’Apollon, au Chasteau du Louvre, et dans le grand Appartement du Roy, au Palais des Tuilleries. Dessinez et gravez par les Srs. Berain, Chauveau, et le Moine.Jean Bérain the Younger, French, 1674 – 17261710Cooper Hewitt, Smithsonian Design Museum

Study for Staircase Decoration, Hanbury Hall, Worchestershire: Achilles Revealing his Identity in the Palace of Lycomedes, Sir James Thornhill, English, 1675 - 1734 — Study for Staircase Decoration, Hanbury Hall, Worchestershire: Achilles Revealing his Identity in the Palace of LycomedesSir James Thornhill, English, 1675 - 1734ca. 1710Cooper Hewitt, Smithsonian Design Museum

The Head of an Old Bearded Man, Donato Creti, Italian, 1671–1749 — The Head of an Old Bearded ManDonato Creti, Italian, 1671–1749ca. 1710Cooper Hewitt, Smithsonian Design Museum

Figural Studies, Gaspar van Wittel, Flemish, 1652 - 1736 — Figural StudiesGaspar van Wittel, Flemish, 1652 - 17361710–1730Cooper Hewitt, Smithsonian Design Museum

Grand Trumeau de la Galerie d’Apollon., Jean Bérain the Younger, French, 1674 – 1726 — Grand Trumeau de la Galerie d’Apollon.Jean Bérain the Younger, French, 1674 – 17261710Cooper Hewitt, Smithsonian Design Museum

Design for Architectural Motif, Gilles-Marie Oppenord, French, 1672–1742 — Design for Architectural MotifGilles-Marie Oppenord, French, 1672–1742ca. 1710Cooper Hewitt, Smithsonian Design Museum

Design for a Façade, Benedykt Renard, Polish, 1680 - 1726 — Design for a FaçadeBenedykt Renard, Polish, 1680 - 1726ca. 1710Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3403

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Textile, Oberkampf & Cie., Jouy-en-Josas, France, 1759–1815 — TextileOberkampf & Cie., Jouy-en-Josas, France, 1759–18151775–1800Cooper Hewitt, Smithsonian Design Museum

0.94

Textile, Unknown — TextileUnknown1785–95Cooper Hewitt, Smithsonian Design Museum

0.94

Textile, Bannister Hall Printworks — TextileBannister Hall Printworks1816–1817Cooper Hewitt, Smithsonian Design Museum

0.93

Textile, Bannister Hall Printworks — TextileBannister Hall Printworks1816Cooper Hewitt, Smithsonian Design Museum

0.93

Textile, Unknown — TextileUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

0.93

Textile, Unknown — TextileUnknownca. 1850–1899Cooper Hewitt, Smithsonian Design Museum

0.93

Textile, Unknown — TextileUnknownlate 19th centuryCooper Hewitt, Smithsonian Design Museum

0.93

Textile, Unknown — TextileUnknown1870–1910Cooper Hewitt, Smithsonian Design Museum

0.93

Next

Made in the eighteenth century, like Textile.

The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750
Study of the Lamentation on the Dead Christ1780

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