Sidewall and border — Unknown, 1868–69

Sidewall and border, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Gift of the Jefferson County Chapter, Association for the Preservation of Tennessee Antiquities
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1971-64-8-a_l (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/148447

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1868–69

3085

Seated Giant, Goya (Francisco de Goya y Lucientes) — Seated GiantGoya (Francisco de Goya y Lucientes)by 1818 (possibly 1814–18)Metropolitan Museum of Art, New York, NY

Head of a Guillotined Man, Jean Louis André Théodore Géricault — Head of a Guillotined ManJean Louis André Théodore Géricault1818–19The Art Institute of Chicago

Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed, Joseph Mallord William Turner — Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam BecalmedJoseph Mallord William Turner1818Yale Center for British Art

Letter from George Troup regarding the Prince Regent and Brighton Pavilion, George IV, King of England, English, 1762 – 1830 — Letter from George Troup regarding the Prince Regent and Brighton PavilionGeorge IV, King of England, English, 1762 – 18301818Cooper Hewitt, Smithsonian Design Museum

Letter from John Nash to Frederick Crace regarding Brighton Pavilion, John Nash, 1752 – 1835 — Letter from John Nash to Frederick Crace regarding Brighton PavilionJohn Nash, 1752 – 18351818Cooper Hewitt, Smithsonian Design Museum

Sampler, Mary Beacon, American — SamplerMary Beacon, American1818Cooper Hewitt, Smithsonian Design Museum

Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater", F. Ebner, German, 1800 – 1825 — Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater"F. Ebner, German, 1800 – 18251818Cooper Hewitt, Smithsonian Design Museum

Textile, John Marshall & Sons — TextileJohn Marshall & Sons1818–24Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

2957

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Sidewall, Unknown — SidewallUnknown1850–1900Cooper Hewitt, Smithsonian Design Museum

0.88

Design for Embroidery Pattern, Unknown — Design for Embroidery PatternUnknownbefore 1916Cooper Hewitt, Smithsonian Design Museum

0.87

Floral field and border, Unknown — Floral field and borderUnknown1780–1815Cooper Hewitt, Smithsonian Design Museum

0.86

Drawing, Unknown — DrawingUnknownAbout 1730-1740Cooper Hewitt, Smithsonian Design Museum

0.86

Design for the Emrboidery of a Man's Waistcoat, Unknown — Design for the Emrboidery of a Man's WaistcoatUnknown1780–1790Cooper Hewitt, Smithsonian Design Museum

0.86

Design for an Ornament, Unknown — Design for an OrnamentUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

0.86

Textile, Unknown — TextileUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

0.85

Sidewall - fragment, Unknown — Sidewall - fragmentUnknown1910–20Cooper Hewitt, Smithsonian Design Museum

0.85

Next

Made in the nineteenth century, like Sidewall and border.

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