Date 1887 Medium Pencil and pen and black ink on stiff cream colored paper Terms pencil 300410335 pen 300022452 black ink 300015012 Collection Cooper Hewitt, Smithsonian Design Museum chndm_1957-58-25 Getty ids beside the museum's words, by exact match, 2026-09-09
black ink read as ink by Abe Garcia, 2026-09-07
Of No subject recorded yet.
Close "Armor of 800. Time of Charlemagne" — Edwin Howland Blashfield, American, 1848–1936 1887
Also by Edwin Howland Blashfield, American, 1848–1936 2 Studies of Hands Edwin Howland Blashfield, American, 1848–1936ca. 1900–10 Cooper Hewitt, Smithsonian Design Museum Study of Arm and Hand Edwin Howland Blashfield, American, 1848–19361907 Cooper Hewitt, Smithsonian Design Museum
Within fifty years of 1887 3909 Tradecard, Crace and Son Unknownca. 1837 Cooper Hewitt, Smithsonian Design Museum Tradecard, Frederick Crace and Son Unknownca. 1837 Cooper Hewitt, Smithsonian Design Museum Grand Canal Unknownca. 1837 Cooper Hewitt, Smithsonian Design Museum An Interior Mary Ellen Best, 1809 – 18911837–40 Cooper Hewitt, Smithsonian Design Museum Study Jean Auguste Dominique Ingresc. 1842 The Art Institute of Chicago Moonrise on an Empty Shore Caspar David Friedrich1837/1839 National Gallery of Art Portrait of Talbot's Wife (Constance) or Half-Sister (Caroline or Horatia) William Henry Fox Talbotc. 1842 The Art Institute of Chicago Tradecard, Frederick Crace and Son, London Frederick Crace, English, 1779–18591838–40 Cooper Hewitt, Smithsonian Design Museum Add a connection Propose a reading
Next Made in the nineteenth century, like "Armor of 800. Time of Charlemagne".
